Canon EOS Rebel SL1 18.0 MP CMOS Digital SLR with EF-S 18-55mm IS STM Lens

Ignite Your Imagination

As the world's smallest and lightest digital SLR*, the new EOS Rebel SL1 is small in size but enormous in performance. With a newly-designed Canon 18.0 Megapixel CMOS (APS-C) sensor and speedy Canon DIGIC 5 Image Processor, it delivers images of extraordinary quality – ideal for those stepping up from a smartphone or compact camera. An impressive ISO range of 100–12800 (expandable to H: 25600) for stills and 100–6400 (expandable to H: 12800) for video plus up to 4.0 fps continuous shooting make this camera the go-to for any photo opportunity, even in dim lighting or when capturing fast action subjects. And Hybrid CMOS AF II delivers accurate AF tracking during Live View shooting, helping ensure your photos and movies are crisp and clear. The EOS Rebel SL1 makes amazing movies with Canon EOS Full HD Movie Mode with Movie Servo AF, working in concert with Canon STM lenses for smooth and quiet continuous AF. In addition to its Optical Viewfinder, the EOS Rebel SL1 has a bright, wide Touch Screen 3.0" Clear View LCD monitor II, perfect for viewing a number of special scene modes and Creative Filters available in real-time display. Here is the DSLR you'll want to bring with you everyday and ignite your imagination!

* Among digital SLR cameras that use APS-C size equivalent sensors. As of March 1, 2013, based on Canon's research.

Amazing Capture and Processing Power, Astonishingly Compact.

World's smallest and lightest digital SLR*

For ultra portability with a minimal footprint, the EOS Rebel SL1 is the world's smallest and lightest digital SLR*. Weighing in at approximately 13 ounces, the EOS Rebel SL1's astonishingly compact size does not compromise its excellent performance as a member of the Canon EOS family: it features an 18.0 Megapixel CMOS (APS-C) sensor, the speedy DIGIC 5 Image Processor, a wide ISO range for both stills and video, and advanced AF performance. Designed for entry-level DSLR users, the EOS Rebel SL1 ensures performance and operation while still remaining compact.

18.0 Megapixel CMOS (APS-C) sensor

The EOS Rebel SL1 features a newly-developed Canon 18.0 Megapixel CMOS (Complementary Metal Oxide Semiconductor) sensor in the world's smallest and lightest digital SLR*. Perfect for enlargements or for cropping detailed portions of the composition, the camera's sensor captures images with exceptional clarity and tonal range. This first-class sensor features many of the same technologies used by professional Canon cameras to maximize each pixel's light-gathering efficiency and has center pixels that aid in the EOS Rebel SL1's accurate AF performance. This APS-C size sensor creates an effective 1.6x field of view (compared to 35mm format).

ISO 100–12800 (expandable to H: 25600) for stills; ISO 100–6400 (expandable to H: 12800) for videos

Thanks to its DIGIC 5 Image Processor, the EOS Rebel SL1 features an ISO range of ISO 100–12800 (expandable to H: 25600) for stills and ISO 100–6400 (expandable to H: 12800) for videos that makes shooting possible in situations previously unthinkable without flash. The EOS Rebel SL1, with the DIGIC 5 Image Processor's remarkable noise-reduction technology, performs brilliantly in low-light shooting. Used with one of Canon's EF or EF-S lenses with Optical Image Stabilizer, the EOS Rebel SL1 can record beautiful images and video even when light sources are scarce.

DIGIC 5 Image Processor

The EOS Rebel SL1's DIGIC 5 Image Processor works with the camera's CMOS sensor to deliver images with incredible detail in more situations, without the need for artificial light sources. With the power of the DIGIC 5 Image Processor, the EOS Rebel SL1 can achieve higher ISO sensitivity, can shoot up to 4.0 fps continuously and can even perform advanced functions like displaying art filters in real time, new scene modes, lens correction and much more. The camera's brilliant imaging core supercharges every facet of still and moving image capture.

* Among digital SLR cameras that use APS-C size equivalent sensors. As of March 1, 2013, based on Canon's research.

Never Miss a Moment!

High-speed continuous shooting

The EOS Rebel SL1 can shoot up to 4.0 frames per second (fps) for up to approximately 7 consecutive RAW files or approximately 28 full-resolution JPEGs. Shooting at speeds of up to 1/4000 sec., the EOS Rebel SL1 can capture even rapidly unfolding scenes with ease.

True HD Performance, Rebel Simplicity.

EOS Full HD Movie Mode with Movie Servo AF

The EOS Rebel SL1 offers easy-to-use, professional video capture without compromise. Capable of shooting in a number of recording sizes and frame rates, the EOS Rebel SL1 offers outstanding video capturing performance, quality and simplicity. The EOS Rebel SL1 enables easy manual control of exposure, focus and Live View features, even in-camera editing! Movie Servo AF allows continuous autofocus tracking of moving subjects while recording video. When shooting video with one of Canon's STM lenses, Movie Servo AF takes advantage of the lens' stepping motor for smooth and quiet continuous AF. With an STM lens attached, the EOS Rebel SL1 meets high standards for SLR moviemaking performance!

Resolution & Recording Sizes	Frame Rates
Full HD 1920 x 1080 16:9 format	30 fps (29.97)
	25 fps – PAL standard
	24 fps (23.976)
HD 1280 x 720 16:9 format	60 fps (59.94)
	50 fps – PAL standard
Standard Definition (SD) 640 x 480	30 fps (29.97)
	25 fps – PAL standard

Built-in monaural microphone, manual audio level adjustment

The EOS Rebel SL1 has an internal monaural microphone for audio capture and a wind filter feature to reduce wind noise when shooting outdoors. Sound recording levels can be manually (up to 64 different levels) or automatically controlled. A built-in attenuator is also provided to reduce audio clipping. For more advanced audio recording, the EOS Rebel SL1 is compatible with many third-party electret condenser microphones with a 3.5mm diameter plug.

Video Snapshot

With the Video Snapshot feature, the EOS Rebel SL1 can capture short video clips (of 2, 4 or 8 seconds) then combine them automatically into one video file as a snapshot or highlights "album". With no editing needed after shooting, the compiled video is perfect for sharing online or displaying directly on an HDTV via the camera's HDMI port. Additionally, stills can be recorded during video shooting simply by pressing the camera's shutter button. During playback, video clips in an album can be reordered or deleted.

Multi-touch, Brilliant View.

Touch Screen Wide 3.0-inch Clear View LCD monitor II with multi-touch operation and Touch AF

Using capacitive touch screen technology similar to today's popular mobile devices, the EOS Rebel SL1's gorgeous LCD monitor is touch-sensitive, delivering intuitive operation with ease. Two-finger touch gestures can be used for zooming or changing images. Menu and quick control settings can be accessed, and focus point and shutter release can be activated with the touch of a fingertip using Touch AF. Displaying fine detail (at approximately 1.04 million dots), the camera's Touch Screen Wide 3.0-inch Clear View LCD monitor II is perfect for composing and reviewing images. Thanks to a new, solid construction between the monitor's resin-coated cover and the liquid crystal display, reflections are minimized, and the display can be viewed, without glare, from any number of angles. The LCD's surface is treated with a smudge-resistant coating to minimize fingerprints and to maintain a bright, clear image display.

Optical Viewfinder with approx. 0.87x magnification

In addition to its amazing multi-touch screen, the EOS Rebel SL1 also sports an Optical Viewfinder, ideal for composing shots when shooting in bright conditions or capturing the moment as it unfolds. Shooting with the Optical Viewfinder also ensures steadier images. The viewfinder displays exposure, AF, flash, plus other relevant image information right along with the image. The 0.87x magnification factor ensures that subjects are easier to find and track.

Innovative AF Solutions for Consistently Excellent Performance.

9-point AF system (including a high-precision dual-cross f/2.8 center point)

When shooting through the viewfinder, the EOS Rebel SL1 has exceptional autofocus with a sophisticated 9-point AF system, including a high-precision dual-cross f/2.8 center point, for accurate focus whether the camera is oriented in portrait or landscape position. A proven AI Servo AF system achieves and maintains consistent focus with an exceptional degree of reliability.

Hybrid CMOS AF II

Canon's amazing Hybrid CMOS AF System is perfect for shooting photos and video in Live View. Combining two different kinds of AF – phase and contrast detection – and aided by pixels on the camera's CMOS sensor that assist in predicting subject location, continuous focus tracking becomes faster and more accurate than ever before in Live View. And with the EOS Rebel SL1 you'll get Hybrid CMOS AF II, which provides the same fantastic performance as the original but boasts an increased AF area that covers approximately 80% of the sensor for easier composition. This performance is enhanced further by Canon's line of STM lenses, which provide smooth and quiet operation.

Complex Functions Made Simple.

Scene Intelligent Auto mode

The EOS Rebel SL1 features Scene Intelligent Auto mode, which incorporates a number of Canon technologies to deliver the best possible exposure. Joining Picture Style Auto, Automatic Lighting Optimizer, Automatic White Balance, Autofocus, and Automatic Exposure, Scene Intelligent Auto mode analyzes the image, accounting for faces, colors, brightness, moving objects, contrast, even whether the camera is handheld or on a tripod, and then chooses the exposure and enhancements that bring out the best in any scene or situation. Users without extensive photography knowledge or experience will not need to puzzle over settings; the Scene Intelligent Auto mode simplifies DSLR image capture so photographers can simply concentrate on composing images.

Creative Features, Amazing Images.

Advanced Creative Filters that can be displayed in real time during Live View shooting

Adding to the fun and creative possibilities available with the EOS Rebel SL1, the camera offers seven different creative filters for still images: Art Bold Effect, Water Painting Effect, Miniature Effect, Fisheye Effect, Grainy B/W, Soft Focus and Toy Camera Effect. Each effect can be applied in three different levels (low, standard and strong), and easily previewed on the LCD panel during Live View shooting. The EOS Rebel SL1 also features the new Miniature Effect for Movies. You will be amazed and delighted by the artistry that these creative filters will allow you to create.

Effect Shot mode and Background Simulation

Among the dynamic new features designed to make creative photography both intuitive and fun, the EOS Rebel SL1 has Background Simulation, which makes it easy for beginners to achieve dramatic blurred or sharpened backgrounds. The result is previewed on the LCD screen, so users can see in advance how their final image will look. Plus, a new Effect Shot feature automatically captures two shots simultaneously: one without effect, and one with a preselected Picture Style or Creative Filter effect. This makes it easy to see how each effect changes the photo without compromising the original image. Effect Shot mode is available in both Live View and viewfinder-based shooting, and can easily be viewed immediately in playback mode.

The Right Mode for the Right Situation.

New Special Scene Modes: Kids, Food and Candlelight

The EOS Rebel SL1 has three new easily accessible scene modes to capture the perfect image the first time. Kids mode ensures high-speed shutter priority, focus tracking, healthy skin tones and flash when needed; Food mode delivers bright, vivid food images, limits flash by default and limits the red tint often associated with "restaurant plate" photography. With Candlelight mode, the camera will take care not to blow out the scene, maintaining the glow of the candle, leaving the flash off and reducing exposure fluctuation.

Flexible and Reliable Recording.

Compatibility with SD/SDHC/SDXC memory cards, including Ultra High Speed cards

The EOS Rebel SL1 uses popular SD, SDHC, SDXC, and is even compatible with Ultra High Speed (UHS-I), memory cards. Compact and available in large capacities, SD, SDHC and SDXC memory cards are a perfect complement to the camera's compact design.

Additionally, the EOS Rebel SL1 is compatible with Eye-Fi* SD cards, which are outfitted with a Wi-Fi^® transmitter (IEEE 802.11b/g) and an internal antenna for wireless, high-speed transfer of images. With an Eye-Fi card installed, the EOS Rebel SL1 can display the Eye-Fi's connection status and error notes with ease, for fully functional wireless uploading of images directly from the camera.

* Canon cameras are not guaranteed to support Eye-Fi card functions, including wireless transfer. In case of an issue with the Eye-Fi card, please consult with the card manufacturer. The use of Eye-Fi cards may not be available outside the United States and Canada; please contact the card manufacturer for territory availability.

A Comprehensive System of Optics Perfect For Video and Stills.

Compatible with EF and EF-S lenses

The EOS Rebel SL1 is compatible with all Canon lenses in the EF lineup, including compact and lightweight EF-S lenses, ranging from ultra-wide angle to super telephoto lenses and including the STM series, like the new EF-S 18–55mm f/3.5–5.6 IS STM, optimized for video shooting. Canon lenses employ advanced optical expertise and micron-precision engineering to deliver outstanding performance and deliver beautiful results. Special technologies like Canon's Optical Image Stabilizer help to minimize the effect of camera shake, effectively adding up to four stops of light; STM lenses even feature a stepping motor for smooth and quiet continuous autofocus while capturing video. With an array of lenses perfect for travel, sports, still life and everything in between, photographers can truly maximize the quality and performance of their EOS Rebel SL1.

More Features for Increased Versatility.

Lens Aberration Correction

The EOS Rebel SL1 features lens correction tools that compensate for lens characteristics that can affect overall image quality. The EOS Rebel SL1's lens peripheral illumination correction feature corrects light falloff in the corner of the image according to the characteristics of the lens being used. It even has correction data for a number of popular lenses stored in its memory. With the EOS Rebel SL1's chromatic aberration correction tool, distracting color fringing can be corrected at the time of shooting.

Feature Guide

To help explain the specific function of features found on the EOS Rebel SL1, the Feature Guide displays a simple description helpful in determining the applicability for the situation at hand. It is displayed in each shooting mode, during mode dial operations, and for Quick Control screen functions. It appears automatically when a function is selected – a lifesaver when trying to determine the best mode or function for the next picture. The feature guide works automatically by default, and can be disabled easily through the camera's menu.

GPS Compatible

With the optional GPS Receiver GP-E2 attached to the hot shoe or the digital terminal, the EOS Rebel SL1 can record location, including latitude, longitude and altitude, and has the ability to track the trajectory of movement with its logging function. An electric compass records the camera's orientation during each shot, and world time information is recorded through GPS syncing.

JPEG Resizing

To create images suitable for sharing by email or online, the EOS Rebel SL1 can resize JPEG files, in-camera, of varying pixels (aspect ratio cannot be changed, only the image size can be decreased) while leaving the original image untouched.

Photobook Set-up

Photographers can share their images in book form with the EOS Rebel SL1's convenient Photobook Set-up feature. Users can easily choose specific images, images in a folder and even all images, then specify their sequence and layout. The results can be printed in book form with ease.

Image Rating

To help organize images recorded to the camera's storage, the EOS Rebel SL1 makes it simple to rate individual images from one star to five. Therefore, image browsing, printing and slide shows can be based upon those ratings.

Cropping

Eliminating the need to post-process in the computer, photographers can easily crop their photos right in the EOS Rebel SL1. Perfect for direct connection to a printer, or in situations when it wasn't possible to zoom in enough with a zoom lens, cropping is a viable solution thanks to the camera's excellent 18.0-megapixel resolution. Users can choose vertical or horizontal images, and 3:2, 4:3, 16:9, even 1:1 aspect ratios.

Nikon D600 24.3 MP CMOS FX-Format Digital SLR Camera with 24-85mm f/3.5-4.5G ED VR AF-S Nikkor Lens

CUSTOMER REVIEW



WHO IS THIS CAMERA FOR?



1.) More advanced photographers moving from DX/crop format to full frame (assuming they already own FX glass or plan to buy at least a couple FX lenses with the D600.)

2.) Photographers who want a second body to accompany their pro body as back-up.

3.) Nikon D300, D300s and D700 users who want better ISO performance, much better resolution and dynamic range and won't miss a couple of the pro features of the D300, D300s and D700.

4.) Patient beginners with very deep pockets who understand it's going to take more than "Auto" mode to create beautiful photos. Open yourself up to RAW.



WHO I WOULD NOT RECOMMEND THIS CAMERA TO:



1.) Beginners with no $$$$. You're gonna need money. Lots of money. Good full frame lenses are expensive. Forget the kit lens that comes with the D600. You're going to need something better to make this camera really shine. EDIT: A few people mentioned in the comments that the kit lens is fine for beginners. Yes, the kit lens is fine for beginners who are just getting started and don't know what they're looking for, however the kit lens can be quite expensive for what it is. In my opinion there are better, sharper, faster lenses out there for that price even if they are not as flexible as this slower zoom lens. Some people may be perfectly happy with the kit lens, but eventually you will want something better and that will most likely cost you lots of money.

2.) People who only want to shoot JPEGs. Yeah... you can shoot beautiful JPEGs with it, but that too requires adjusting settings. JPEGs can be unforgiving as opposed to RAW. Some might really disagree with me on this point, but I've known too many people who bought DSLRs and were surprised when the camera was taking unsatisfactory pictures. It's not the camera, it's the user!

3.) DX/crop sensor photographers who don't own any FX glass. Get yourself FX lenses first. No matter how much you're tempted, it makes much more sense. Trust me.

4.) Anyone expecting $3,000 + features for $2,100.00.



SHOULD YOU BUY THE D600 or the D800???



Depends on what you're shooting, why you're shooting it and how much money you have.



D800 = Pro 51 AF point module vs. 39 AF points - slightly more accurate/faster focus and a tad more viewfinder coverage

D800 = 36 megapixels vs. 24 megapixels - slightly more resolution

D800 = Up to 9 consecutive shots for HDR vs. 3 consecutive shots - better HDR

D800 = Shutter life of 200,000 vs 150,000 - longer life span

D800 = Teeny tiny bit more dynamic range

D800 = 1/250 flash sync speed vs. 1/200



D600 = 5.5 FPS vs 4 FPS - better for sports and wildlife

D600 = Lighter and less pixel density - easier to shoot hand-held with slower shutter speeds (Good for nightime and daytime photography. Less chance of camera shake/motion blurr)and easier to carry during long hikes.

D600 = Just a teeny tiny tad better at high ISO in low light

D600 = $1,000 less

D600 = Smaller file sizes, which means easier file handling.



There are a few more differences, but both cameras will give you incredible results, both cameras have insane high dynamic range and resolution, and both produce beautiful RAW and JPEG files. If you're a serious amateur, the D600 is plenty of camera for you. If you're a beginner, the D800 may be too much camera to start with. By the time you learn the ropes with the D800 (which may take years), the next best thing will be on the market, and you would have wasted $3,000.00 on a camera which you were able to use only 50% of its potential before you trade it in (then again if you're not the type who must upgrade as soon as something new is on the market, the camera will keep you busy for years). For beginners even the D600 may be a bit too much. Pro landscapes could do just fine with the D600, but may appreciate the 12 more megapixels and 9 shot bracketing (for HDR) when they're printing large posters. Wildlife photographers may appreciate the faster FPS, slightly better ISO performance and lighter body of the D600. In my opinion the D800 is more of a tripod camera while the D600 is more of a hand-held camera. If you're still not sure, rent them both and decide that way.



I WANT TO START OFF WITH THE POSITIVES:



I absolutely LOVE my new D600. I moved up from a D7000. Although I like the D7000 a lot, the D600 is even better in many ways.



1.) It has incredible high ISO performance

2.) Sharp, accurate and fast to focus (much better than the D7000) even in dim light

3.) Incredible resolution at 24 megapixels

4.) Very high dynamic range and the color reproduction is beautiful

5.) Fairly light compared to other Nikon pro bodies

6.) 5.5 frames per second which is slightly less than the D7000 6 frames per second, but the D600 has a larger buffer.

7.) Auto-ISO feature is very helpful.

The list goes on.....



As far as use and picture quality goes, this camera blows away anything within the same price range, and even some of the slightly older pro bodies that still go for well over $3,000.00. DXO Mark rates this camera as #3 on it's list, and the only cameras listed above it are the Nikon D800 and Nikon D800E. Believe it or not, the D600 sensor scored higher than the D3s, D4, D700 and all the current (2012) bodies in the Canon line-up. Obviously the D600 lacks some pro features like faster frames per second, an even bigger buffer, a couple of nice easy-setting-access buttons and full magnesium body, but let's face it; If Nikon had put all the good pro-features into the D600, why would anyone in their right mind pay $6,000.00 for a pro body? The D600 is purposely held back in some aspects by Nikon, but this does not mean that great performance and incredible image quality were sacrificed. In my opinion the price (at this time) can't be beat for what you're getting in return.



Contrary to what some believe, the D600 is not a repackaged D7000. It shares some features with the D7000, but it also shares some features with the D800. It's the best of both worlds. It is slightly bigger and heavier than the D7000, and slightly smaller and lighter than the D800. The body design in the front resembles that of the D7000, and the back of the body resembles the D800. Some have commented that the body feels cheap in their hands. I don't understand this sentiment. I guess some people feel that the heavier something is, the more expensive it feels. I can see why someone who has handled a D4 or D800 might say that, but in my opinion the D600 feels just fine. It has slightly better build than the D7000, and the D7000 is solid. I hear this mostly from people who have never taken their "pro" bodies outside the city. They need all this ruggedness, but they never use it. I've put my D7000 through a lot of abuse in the rain, snow, heat, climbed old castle ruins with it,...even dodged unruly kids, beer and drunks in bars and there's not a scratch on it. Do some of these people plan on dribbling their cameras? I keep mine on a neck strap, protecting my lenses. I think the D600 will be just fine.



NOW TO THE NEGATIVES:



Nikon's quality control is suffering greatly, and it's the only reason I'm rating the camera at four stars. It hurts me to do so, but I have to. I don't know if this is common with a lot of camera brands, but out of the four DSLRs I've owned, this is my second Nikon camera in a row suffering some kind of defect. Everything is absolutely perfect about it except the fact that it came with dust/oil spots on the sensor straight out of the box. I didn't notice this at first, but when I was shooting a fairly featureless subject stopped down, I noticed many small round spots concentrated mainly around the top left corner of the photo. These spots can be found all over the picture, but most of them are up in that corner. This is by far not as much of a concern for me as my D7000 back/front focusing issue was, because at least I can clean my own sensor. However it is disappointing to find something like this. It affects picture quality. I have done my best to remove these spots from photos in Lightroom 4, but at some point it becomes a chore. I have contacted Nikon about it and they want me to send it in. Since I love the camera so much, I don't want to be without it for a week or two, but if I don't get this issue resolved, maybe it will make me more upset in the long run. I will update the review once it's fixed.



WHAT ACCESSORIES TO BUY WITH THE D600



This is purely my opinion, but you may want to consider buying the following either directly with the D600, or a sometime after you purchase the D600:



1.) Make sure you buy a good-quality FX lens to go with the D600. Choose the lens based on what you like to photograph most. There are many specialized lenses out there such as wide angle, macro and telephoto. There are zoom lenses and prime lenses. Most pros already know that a well-rounded Nikkor lens line-up to own is the 14-24mm f/2.8, 24-70mm f/2.8 and the 70-200mm f/2.8 VR I. or VR II. There's also many great, fast prime lenses to choose from (cheaper options being the 50mm f/1.4G or f/1.8). I know of no lens that is good at everything, so you'll be making sacrifices no matter which one you choose. There are cheaper third-party options out there such as Sigma and Tamron. I myself prefer Sigma if I'm buying third-party. I've had a couple of Sigma lenses, and in fact one of my favorite lenses is the Sigma 150mm f/2.8 macro. I've used it for macro, birding, as well as portraits. It is super sharp and definitely rivals Nikon's 105mm macro lens in sharpness. Basically choose your first lenses based on what you will photograph most, and later on add more specialized lenses to your collection.



2.) A fast SD card, preferably nothing slower than 45MB/s. write/read speed and at least 16GB such as the SanDisk Extreme Flash memory card (maybe 2 of them), or even better, the 16GB or 32GB 95MB/s SanDisk Extreme Pro Flash memory card. Anything slower than that and you will find the buffer not clearing fast enough when you're shooting in burst mode.



3.) A good photo-editing program such as Lightroom 4, Photoshop CS6/Adobe Camera RAW. I personally use Lightroom 4 for all my photo editing, but some people prefer Adobe Camera RAW and Photoshop. If you're not shooting RAW with the D600, you're wasting a lot of its potential. RAW files hold the most information and give you greater dynamic range. Consider the program your developing room. The camera records the information and you develop that information into what you saw or what you wanted to see in the scene when you were shooting. If you're shooting JPEG only, the camera saves only very limited amounts of information. JPEGs also lose quality every time you re-save them, whereas RAW never loses quality and can be modified as many times as you want. It can also be reset to it's original form. RAW is the only way I shoot.



4.) If you have big hands, you may want to consider picking up the MB-D14 battery grip to give the D600 a little more size and better balance. It's also very handy for extended battery life and vertical shooting. There are cheaper third-party battery grips out there, but the quality is lacking and you risk possible damage to your camera. Many people are very satisfied with the cheaper third-party grip options, but I personally would not risk it with an expensive camera.



5.) Second battery. If you already own a D7000 and you plan on keeping it, the good news is that the D600 and D7000 share the same battery. I use my D7000 battery as a spare. Of course if I decide to use both cameras at the same time, this could be a problem. You can get a lot of shots out of the D600 battery on one charge, but it's always nice to have back-up. If you buy the battery grip, you can use regular AA batteries in the grip.



6.) A good sensor and lens cleaning kit. I would recommend at least getting a blower. I bought the Giottos Rocket Air Blaster and that seems to work nice. Other people use things like the Visible Dust Arctic Butterfly, but that's fairly pricey. I guess you get what you pay for. You can always get your sensor cleaned by a camera shop, but they'll charge you anywhere from $40 to $60 each time you bring it in. There's the security in knowing you got it done right, but that can add up to a lot of money down the line. If you don't feel confident enough to clean your own sensor, you're better off having it done by a professional.... however... it is nice to learn to do it yourself. I learned to clean mine on one of my older DSLRs for practice. It's easier than you'd think, but I'm not going to push you if you don't feel good about it.



7.) A camera sling strap like one of the Black Rapid straps or a Carry Speed FS-Pro strap. These attach to the tripod screw mount on the bottom of the camera and you can wear it over your shoulder with the camera and lens swinging next to your hip. You would really appreciate this carry method on longer hikes. or just walking around in general. The Carry Speed FS-Pro strap for example is very rugged and sturdy. The shoulder pad is wide and stretchy. It makes you feel like you're not carrying any weight at all. Neck straps are O.K. for lighter point and shoots, but if you want to save your neck some hardship, you'll look into getting a sling strap instead. It's easy to use, the camera is out of your way when you don't need it, and it's right there when you do.



UPDATE:



I have sent my D600 to Nikon service for the dust issue. They serviced the camera within one week. After I got it back, the sensor was spotless until I took about 600 shots with one lens (a prime, not a zoom) attached the entire time. After considering sending it back again, I decided to buy a sensor cleaning kit instead and cleaned it myself twice. After these two cleanings the spots are not coming back (at least none that I can see). Between shoots I use a Giotto blower to make sure I get rid of any possible spots. So far so good!



CONCLUSION:



I would highly recommend this camera to the category of people I listed at the very top, but I would also recommend caution as far as these dust/oil spots go. Not everybody has had this problem, but there are a number of people who are experiencing it. I'm one of the lucky few. Fact of life is that you're taking a risk no matter what manufacturer you choose. Nikon has had it's issues and so has Canon. The only thing we can do is hammer these companies with complaints and demand justice.

Canon EOS 60D 18 MP CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only)

CUSTOMER REVIEW



Update: With the release of the T4i, this review needs a short addendum, which I will add to the end.



The newest addition to Canon's XXD line might initially seem like a minor downgrade to the previous XXD cameras, but several new capabilities actually help make this a nice, well-featured camera that will appeal to many people who don't get caught up in whether or not this is a better camera than it's predecessor. Canon certainly made this camera for the price point and was careful to add just enough features to make it desirable over the T2i, but not desirable enough to compete with the 7D. In some respects though, it seems like a beefed-up version of the Rebel line (a "Super-Rebel") instead of a new addition to the XXD line.



As someone who has now had the opportunity to use all three of Canon's mid-range lineup (the T2i, 60D, and 7D), I have to say that I really like the feel of the 60D. Even though it no longer has the magnesium alloy body, it feels solid. In no way does it feel cheap. I have fairly small hands and the 60D feels like it was made for me. It's significantly lighter than the 7D and feels like it would be much more friendly on long hikes. The 7D feels much more robust; however, the 60D feels much more "comfy". It is definitely bigger in size than the T2i, but the angles and design of the camera have a nicely updated feel to them that makes it seem like you are getting a much more substantial camera. The articulating screen was also done very well. My initial worries that the screen would feel cheap and break easily were immediately relieved after using it. The hinges are very solid and feel almost stiff to the point where you are comfortable with it staying right where you want it. It also is very flush with the rest of the body and offers little space in between.



Aside from the feel, the camera takes beautiful pictures. Quality-wise, there is very little difference between the pictures that come out of the T2i, 60D, and 7D. ISO performance is very similar and therefore can not be much of a deciding factor between the models. Most of the decision factors really will focus on which user interface and camera system best appeals to your type and level of photography. Each of Canon's mid-range models has it's own pros and cons, and while there are MANY differences between each camera, these are the main points I considered when deciding between cameras to purchase (hopefully it helps those going through the same decision I did):



60D vs. 50D:



(+) New Sensor - the same 18MP sensor that the 7D and T2i have, better ISO coverage/performance

(+) 63 zone dual-layer metering

(+) Better viewfinder - 96% coverage vs 95% coverage

(+) Video

(+) Articulating screen

(+) Wireless flash control

(+) Horizontal electronic level

(+) In camera processing (new RAW processing feature and in camera filter effects)

(+) Control over max auto-ISO

(+) Eye-Fi wifi file transfer functions



(-) The magnesium alloy body of the 50D has been replaced with a polycarbonate body

(-) 6.3 fps shooting is down to 5.3 fps

(-) No lens microadjustment in 60D



(+/-) Compact flash card slot has been changed to a SD card slot

(+/-) Joystick replaced by directional pad



60D vs. T2i



(+) 9 all cross-type AF points vs T2i's 9 points w/ 1 center cross-type

(+) 96%, .95 magnification pentaprism viewfinder vs T2i's 95%, .87 magnification pentamirror viewfinder

(+) Articulating screen

(+) Wireless flash control

(+) Horizontal electronic level

(+) In camera processing (new RAW processing feature and in camera filter effects)

(+) Top LCD screen

(+) 5.3 fps vs 3.7 fps

(+) Built in adjustable audio level capability in video



60D vs. 7D



(+) Articulating screen

(+) In camera processing (new RAW processing feature and in camera filter effects)

(+) Control over max auto-ISO

(+) Eye-Fi wifi file transfer functions

(+) Built in adjustable audio level capability in video



(-) 9 all cross-type AF points vs 7D's 19 all cross-type points

(-) Less AF features (such as Zone AF and Point Expansion)

(-) Polycarbonate body vs 7D's magnesium alloy

(-) 96%, .95 magnification pentaprism viewfinder vs 7D's 100%, 1.0x magnification pentaprism viewfinder

(-) Transmissive LCD screen on focus screen on 7D

(-) Only horizontal electronic level vs both horizontal and vertical level on 7D

(-) 5.3 fps vs 7D's 8 fps

(-) No lens microadjustment in 60D

(-) Shutter life of 100,000 vs 7D's 150,000

(-) Dual DIGIC 4 processors in 7D

(-) 3 custom settings in 7D; 1 custom settings in 60D

(-) No PC Sync in 60D



By comparing these features, it's easy to see that the 60D fits well in the price point directly between the T2i and 7D, but of course, a large segment of previous 40D and 50D owners hoping for a true successor that isn't watered down to a certain price point will still undoubtedly be disappointed. It's easy to see in comparing the 60D to the 7D and also to Nikon's newest offerings that Canon chose to limit functionality merely so that 60D sales didn't interfere with the 7D. In fact, if you are not completely entrenched in the Canon camp, I would also suggest looking at the new Nikon D7000. It looks like a spectacular camera for not much more than the 60D. I have not used it nor will I, so I can't comment on whether it's a better choice or not.



Even so, the quality of the 60D and new functionality offer enough new aspects that many customers will surely be happy with it. The articulating screen offers a way to attain tough shots that would have previously demanded extra equipment or odd contortions to reach. It also gives a great new avenue for video capture. Eye-fi wireless transfers work well and help out on those lazy days where you just want to set your camera down and have the work of transferring photos be done for you. Much of the in camera post-production comes off as being a little "gimmicky" to me, but having the option to add effects and process photos definitely doesn't detract from the camera. And many people who don't do much of their own post-processing after transfer to a computer will probably find the in camera RAW conversion and creative effects to be a nice addition.



To me, it really came down to one major factor though: autofocus. I tend to do a lot of shooting involving fast moving subjects, so autofocus for my photography is key. The T1i and T2i were disappointing in this respect. 9 points with one cross-type in the T1i/T2i is respectable, but I found that I really could only rely on using the center point in AI servo mode to get many speedy subjects in focus. I purchased a 7D later, and was blown away by the accuracy. The options of using extra points for expansion, using autofocus zones, having 19 full cross-type points, superior subject tracking, and even the option for narrowing the points in spot autofocus really opened up new areas of photography for me. I get about 10x the amount of usable shots than I would with the T1i and T2i. The 60D isn't THAT good, but it is still much better than the T1i/T2i. In fact, just like with almost everything else about the camera, it's just about right in between the T2i and 7D. Autofocus is fast and accurate, but there are still moments where subjects just move too fast and unfortunately, the 60D doesn't have the capabilities of the 7D. If you are deciding between the 7D and 60D, this is the area you should really look at, because this is the real difference between the 2 cameras. I chose the 7D, and then decided to give the 60D a try just to see if I made the right decision. I am happy with my 7D, but the 60D was no slouch.



In my honest opinion, I think this is a huge sticking point for 40D and 50D owners though. The autofocus system needed to be updated from the previous 2 XXD editions. It has the same 9 cross-type points as the 40D and 50D did before it, and same functionality. To be a good upgrade for previous XXD users, it didn't have to be as good or better than the 7D, but it would have been nice for it to be better than the previous 2 models. Removing the magnesium alloy body and lens microadjustment really comes across as a slap in the face to some users who valued those aspects. I have to say that the body is much lighter, doesn't feel significantly less sturdy (even though it probably is less sturdy), and I've never needed to use lens microadjustment though, so I'm not overly upset about those aspects. I am not thrilled about the "non-update" of the autofocus system though.



Now that I have handled and used all 3 cameras currently in Canon's mid-range lineup, I can definitively say that they are all stellar cameras, but just made for different segments of the market. The T2i is an amazing starter camera and takes great photos for those who want to save a little extra money by going without some of the features they might not use. It might be the best budget option for those who don't take many action shots. For an extra few hundred dollars, the 60D adds some intriguing new features and seems to be aimed at the people who want a slightly higher-end camera than the T2i, but aren't ready to shell out the money for the 7D. It's a great compromise, and to me, the main thing you are missing out on is superior autofocus capabilities. The 7D is more aimed towards the pro-sumer market who want/need a faster autofocus and overall faster, more rugged camera. It's hard to go wrong with any of them, but the 60D offers a great blend of features from both the T2i and 7D along with new features of it's own for a price that won't completely break the bank. It seems to have accomplished everything it needed to do, except for one: giving the 40D and 50D owners an option for upgrade aside from the expensive 7D. If the 60D had kept the magnesium alloy body, lens microadjustment, or even just had a slightly better AF system compared to the 50D, I could easily give this camera 5 stars. As it is, I can only give it 4 stars because it's a wonderful camera for a certain segment of customers looking for a new camera, but completely isolates another loyal customer base looking for their beloved XXD line to continue.



Update: With the release of the T4i, Canon's camera playing field has certainly changed. The minor changes to the T3i didn't warrant much more discussion on the 60D vs Rebel DSLR's than was already posted with the T2i, but the T4i brings some new interesting features to the table, puts picture quality and capture characteristics on par with the 60D, and in some respects ends up being a more appealing camera.



Perhaps the most interesting new features on the T4i are that it now has autofocus during video while using Canon's new STM lenses and has a touchscreen display. For those who want or need autofocus while shooting video, this is a big selling point for the new Rebel instead of the 60D. Granted, it's not going to live up to the snappy autofocus you get when not using live-view mode or that when using specialized video camera's, but Canon did a great job with it over all. In my mind, it is a desirable feature to have access to even if you prefer to manual focus video most of the time.



The T4i also upped the Rebel line's bar to include the 5 fps and 9 cross type autofocus points already found on the 60D.



So back to the question at hand though: If you are choosing between the 60D and the T4i, which one do you go for? The 60D still has some major advantages in my opinion, and it really comes down to the better camera body of the 60D vs. the new video features of the T4i. With the 60D, you get the large dial on the back of the camera for rotating through images and selections and you also get the top LCD. The 60D still has a better, brighter viewfinder and can shoot at 1/8000 of a second opposed to the max 1/4000 of a second that the T4i can do. If those aspects don't concern you and you desperately want video autofocus, go for the T4i instead. It's a great camera. If, on the other hand, you would like a slightly more professional body and can live without video autofocus, the 60D is a great choice too. My personal choice still goes to the 7D if you can afford the upgrade though - the autofocus and 8 fps on it really put it in another level.

Canon EOS 70D 20.2 MP Digital SLR Camera with Dual Pixel CMOS AF (Body Only)

The Canon 8469B002 EOS 70D 20.2MP Digital Camera Body Only (lens sold separately) features an APS-C CMOS sensor and DIGIC 5+ image processor to ensure high-resolution images and excellent low-light sensitivity. Both the sensor and processor work together to produce well-detailed, clear imagery that exhibits natural tonality and color gradations with minimal noise when working in difficult lighting conditions. The processor also provides notable speed throughout the camera system, including the ability to record up to 7 fps in full-resolution, quickened AF speeds, and full HD 1080p video recording. The 3.0-inch Clear View II touchscreen LCD monitor profits greatly from the advent Dual Pixel CMOS AF system and its ability to utilize Touch AF focusing for finely controlled selection of the point of focus. The monitor's vari-angle design also enables more efficient shooting and viewing from both high and low angles and an anti-reflective, smudge-resistant coating allows for clear well-detailed viewing. In addition, the camera is compatible with Canon STM lenses for smooth, quiet AF performance.

• 20.2 Megapixel CMOS (APS-C) sensor, 14-bit A/D conversion, ISO 100-12800 (expandable to H: 25600) for shooting from bright to dim light and high performance DIGIC 5+ Image Processor for exceptional image quality and processing speed.


• EOS Full HD Movie mode with Movie Servo AF for improved continuous focus tracking of moving subjects, manual exposure control and multiple frame rates (1080: 30p (29.97) / 24p (23.976) / 25p, 720: 60p (59.94) / 50p, 480: 30p (29.97) / 25p), built-in stereo microphone, manual audio level adjustment with attenuator function to reduce audio clipping, and Video Snapshot with editing for expanded movie shooting options.


• Canon's innovative Dual Pixel CMOS AF enables you to shoot video like a camcorder with smooth, fast, and accurate autofocus; lets you enjoy instant and precise autofocus even when shooting stills from a variety of angles with the freedom provided by the Vari-angle LCD. 19-point all cross-type AF system (including a high-precision f/2.8 dual cross-type AF center point) with a wide area arrayfor exceptional autofocus performance and greater compositional freedom when shooting with the viewfinder. Intelligent Viewfinder with superimposed LCD display provides approximately 98% field of view, and Multi-Aspect ratio in Live View broadens your choices in composition.


• Vari-angle Touch Screen 3.0-inch Clear View LCD monitor II (approximately 1,040,000 dots) with smudge-resistant coating features multi-touch operation and Touch AF for an easy and intuitive experience, flexible positioning, and clear viewing even when outdoors in sunlight.


• Built-in wireless technology allows you to wirelessly transfer your images to social networking sites through CANON iMAGE GATEWAY, share your images with wireless-enabled Canon cameras, or upload virtually anywhere on your iOS® or Android(TM) smartphone* with the free download of the EOS Remote app.


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CUSTOMER REVIEW



This is going to be short, since I've not had the chance to do a whole lot of shooting as yet. Consider it a "just out of the box" impression. I already have a Canon 5D Mk III, and a number of L series lenses. I wanted a "backup camera" for video shooting, and I was intrigued by the new auto-focus system offered on the 70D.



So far, I'm extremely pleased with this camera. The 18-35 mm kit lens gives a lot of range, and I tested the camera out with my other lenses. The L series lenses work very well, and auto-focusing is fast, smooth, and doesn't search around much even in very low light. The camera is not as heavy as the 5D Mk III, but feels solid enough, and not all that different in the hands. Even with the 70-300mm f4-5.6L IS USM zoom - my heaviest lens at the moment - the camera feels surprisingly balanced.



The crop sensor obviously changes the effect of the lenses, but having a full sensor and a crop sensor both, it's like having 2 sets of lenses. My 70-300mm zoom now has an effective reach up to 480 mm due to the crop factor. To me, this is kind of a bonus, though not in itself a reason to buy the camera.



One thing I couldn't figure out before having the camera in my possession deserves a mention. This is my first experience with a fold-out LCD screen on a DSLR, and I had no idea how the display would deal with flipping around 180 degrees. Would it be upside down? This was the first thing I tried, and the screen auto-flips when it is rotated. Maybe everyone else already knows this - but I didn't! Anyway, the fold-out display is a great feature, and it also folds face-in to protect the display when not in use.



The ability to touch various points on the LCD display while in Live View or shooting video, and shift focus while shooting is - to me at least - worth the price of admission. If Canon eventually updates the 7D and/or the 5D Mk III, this functionality would be most welcome!



Purely as a "gut reaction" - I really like the 70D immensely. And it seems a very good value for the price. This may actually become my preferred "walk-around camera, though time will tell.

Canon EOS 6D 20.2 MP CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only)

The compact and lightweight EOS 6D full-frame digital SLR camera features a 20.2 Megapixel Full-Frame CMOS sensor, a wide ISO range of 100–25600, expandable to L: 50, H1: 51200, and H2: 102400, for incredible image quality even in low light, and a DIGIC 5+ Image Processor. The camera also has a new 11-point AF including a high-precision center cross-type AF point with EV -3 sensitivity, continuous shooting up to 4.5 fps, and Full HD video with manual exposure control, multiple frame rates, and the benefits of a Full-Frame sensor provides stunning performance and creative flexibility. The built-in Wi-Fi transmitter allows you to wirelessly transfer your images to social networking sites through CANON iMAGE GATEWAY, or upload virtually anywhere from your iOS or Android smartphone with the free download of the EOS Remote app.

• 20.2 MP Full-Frame CMOS Sensor, 14-bit A/D Conversion, 100-25600 ISO Range


• 11 Point AF points, 63-zone Dual-Level Metering Sensor


• Canon iMAGE GATEWAY to Share and Upload Photos Anyhwere on iOS or Android Devices with Free EOS Remote Application


• Built-in GPS Receiver and Wi-Fi Transmitter


• Memory Cards: SD/SDHS/SDXC, and Ultra High-Speed (UHS-I) cards

Nikon D7100 24.1 MP DX-Format CMOS Digital SLR (Body Only)

CUSTOMER REVIEW



While I'm hoping Nikon will release a D400, I couldn't resist trying out the new D7100. As a working pro who uses both FX and DX format cameras, my first impressions of the D7100 are very positive.



My simple summary is that this camera is a bargain and that those already inclined to own the best the DX camera Nikon sells should get one.



Having worked for years with the D300 and the D7000 bodies, my perspective on this one is influenced by what I think is good about those two popular cameras. I hoped that the D7100 would really improve in the areas of autofocus, shadow noise, and overall resolution/acuity. This camera has not disappointed me, and has even a few minor improvements I wasn't expecting.



Of first importance, shooters of the D7000 will appreciate the big improvements in AF (you probably know how sketchy that camera is to focus, especially compared to the 51-point standard set by most older/current pro bodies). It's fast, accurate, and doesn't get fooled into moving if you recompose. On single focus mode, it simply acquires and holds where you want. And the tracking AF is on par with Nikon's pro standard. This is huge for me, since I love the quality of images the D7000 gives but hate the unreliability of its AF. Acquiring focus in low light seems a bit snappier and more accurate than even the D300.



The resolving power of this sensor is unlike any DX camera before it. Because the D7100 doesn't have an anti-aliasing/low-pass filter on its 24 megapixel sensor, I knew it would be able to show a perceptible increase in resolving detail over the older D7000, and again I am glad to report it does - IF you use good glass, stopped down a bit, and process from the RAW files. My test shots captured with the Tokina 11-16 and Nikon 70-200 have blown me away. The acuity when zoomed in is night/day compared to the D7000. However, if you use mediocre glass then the only differences you'll notice are larger files and slightly better dynamic range.



In DX images, shadow noise has generally appeared too stippled even at lower ISO values, rendering a texture that the FX sensors don't have at the same ISO's. The D7100 has definitely improved this. The texture gradient is more uniform and it reminds me of the D600 in this way. Although I haven't done tests above ISO 1600, the shadow textures are more uniform and pleasant (natural?) on skin than the previous DX cameras.



Shooters familiar with Nikon's pro camera ergonomics will appreciate that the D7100 has added the quick magnification/zoom feature to the `OK' button on the rear thumbpad. It's great for snappy, quick inspections at defined zoom ratios to check for focus accuracy. This feature is nonexistent on the D7000 and the D600. I find it very handy and preferable to the +/- buttons.



Speaking of the +/- buttons to the left of the LCD, I have no idea why Nikon reversed their positions on this camera. It's a small thing but still annoying.



I'm still getting used to the new viewfinder display, so the jury is out.



The two-shot HDR feature isn't what it should be since it doesn't align the images. I'd use the bracketing feature on a tripod and be done with it.



I like that there's finally a lock button in the center of the program mode dial to avoid accidental switching, which happens too often on the D7000.



The rear LDC screen is slightly larger and also a bit crisper to my eyes.



The overall fit/finish is solid and secure. I have big hands so I only wish it was the same form factor as the D800 (hey Nikon, give us a D400 already), but at this price I'm not complaining.



I wish Nikon could squeeze out better battery performance from their cameras, frankly, and the D7100 hasn't improved upon what has become normal for the past couple years.



Sorry, but I don't mess with video so I cannot speak to this.



As a still image camera (in the DX format) the D7100 has really set a new standard. Even though I'd buy a D400 if it came out tomorrow, there's nothing stopping me from enjoying the D7100 today as the best you can get. I feel that the price is low for what it is and can create. Highly recommended...

Nikon D3100 14.2MP Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens

Nikon's affordable, compact and lightweight D3100 digital SLR features a high-resolution 14-megapixel CMOS DX sensor, high-quality 3x NIKKOR 18-55mm VR image stabilization zoom lens and intuitive onboard assistance including the learn-as-you grow Guide Mode.Capture beautiful pictures and amazing Full HD 1080p movies with sound and full-time autofocus. Easily capture the action other cameras miss with a fast start up time, split-second shutter release, 3 frames per second shooting and 11-point autofocus.Lens: 5-Year Warranty (1-Year International + 4-Year USA Extension).

• 14.2-megapixel DX-format CMOS image sensor; 3-inch monitor with One-Touch Live View shooting and movie capture


• Includes 3x 18-55mm Zoom-NIKKOR VR Image Stabilization lens


• Full 1080p HD Cinematic Video with full-time autofocus and sound


• Easy-To-Use Nikon Guide Mode with intuitive controls and on-board assistance


• Capture images to SD/SDHC/SDXC memory cards (not included)


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CUSTOMER REVIEW



For the cost of this camera, I don't think you can get anything better. The low light performance is off the charts. As a wedding photographer I regularly shoot with Nikon's high end professional equipment and I was amazed how close this camera is to a pro camera. Now let me get specific. In order to compare I took a look at 100% files out of each camera I own.



Which camera excels Nikon D3100($Cheap) VS. D300($1600) VS. D700 ($2,700):

* Lens = The D3100 is the only camera that comes with a lens at it's normal price

* ISO Performance = Tie between D3100 and D700! (It could be Nikon's new processing but the JPEG looks fantastic I was shooting D3100 on 6400iso with very little noise at all)

* Low Light Focusing = D700

* Focus Speed = D700

* External Buttons & Controls for Pros = D700

* Menu Navigation = D3100

* Ease of Use = D3100

* Megapixel = D3100 (14.2)

* Sensor size = D700 (Much more important than megapixels but I won't get into this)

* Can use older lenses with functionality = D700 & D300

* Video = D3100 of course! 1080P video looks amazing.

* Frame Rate = D300 at 6 photos a second

* Weight = D3100 (light as a feather)

* Ergonomics = D700 (big enough for all my finger)



Lens:

The lens is a kit lens, it will work outside but not so great in low light. The Vibration Reduction will help indoors but Vibration Reduction can't stop a child or pet in motion indoors. Consider buying a 35mm 1.8dx AFS for around $200 and you will be super happy with this camera.



Video:

I purchased the 3100 specifically to shoot video, so I put on Nikon's brand new 85mm 1.4g Nano lens and shot video with it. The lens costs more than double the camera but I wanted to see how the 1080P video looked. It has the look of a cinematic movie. After the 85mm, I put on Nikon's 50 1.2 manual focus lens and was able to take very cinematic video in manual mode. In order to make it brighter or darker you either need to use a really old lens like the 50mm 1.2 and hit the AE-L (auto exposure lock) and twist the aperture to change exposure. Or you can hit the AE-L button when you get the exposure you like. Its not a perfect system but it works well for me. Inside the menu options you can change the AE-L button to hold the setting until you reset which is helpful.



Jello Cam (What's not so great):

This camera still suffers from the "Jello Cam" look in video if it is not on a tripod and you are shaky. The video can look like jello if moved too quickly. Use a monopod or tripod when shooting to avoid this. I'm not sure if a faster video frame rate 60fps would help - but at 24 and 30 it can suffer badly.



Conclusion:

This is an amazing deal! Unless you make most of your income from photography or have a stockpile of old lenses (this camera can only autofocus with AFS lenses) then this camera is the must have camera of the year. If you have good composition skills and an eye for light you can take photos worthy of a magazine with this. Seriously, you won't regret buying this camera. When you do, do yourself a favor and buy an additional Nikon AFS lens that has a maximum aperture of 2.8, 1.8 or 1.4. These lenses will take better portraits and deal better in low light than the kit lens.