Nikon D3300 24.2 MP CMOS Digital SLR with AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II Zoom Lens (Black)

CUSTOMER REVIEW



Having used a Canon Powershot SX100 IS for the last six years, I decided it was finally time to switch over to DSLR cameras. I considered sticking with Canon at first, but I did not want a camera with an articulating LCD screen. I just cannot justify paying the extra price for video features that I will probably never use. I also thought it was unwise to invest in Canon's advanced and professional level cameras considering I do not have much experience with DSLRs. That left me with the Canon T3 and the SL1, but in the end I decided to go with the D3300.



The first thing that caught my attention with the D3300 out of the box was how light and comfortable it feels in your hands. The camera grip is very smooth and big enough to allow enough friction for a secure grip. I also like how the lens retract, allowing the camera to be more compact and take up less space in your camera bag. The camera's menus and functions are very easy to use even when not using GUIDE Mode. I will admit that I studied the manual before using the camera, but even then I found the menus more accessible and less confusing than those of my old point-and-shoot camera.



So far I have only taken pictures indoors in low-light conditions but the results have been very impressive. I turned Auto ISO sensitivity control off and set the ISO to 800 to see how the camera would handle low light situations without relying on using high ISO settings. The images looked sharp and crisp even though the camera used very slow shutter speeds without a tripod (Note: I had VR and noise reduction enabled). Granted, if your subject will require fast shutter speeds you will have to raise the ISO anyway unless you use another lens with a wider aperture. According to Snapsort the D3300 has better image quality than the Canon 70D, T5i, and SL1. I cannot confirm this myself though since I do not have any of those DSLRs to make a side-to-side comparison.



I also tested the different release modes available but did not notice a significant difference between single frame and quiet shutter release mode. Maybe it is just me, but they sound the same to me. Continuous release mode has a maximum of 5 fps and up to 100 photographs can be taken in succession. The autofocus feature is fast and very easy to use. However, I should mention that thus far I have only taken pictures using Single-servo AF with Single-point AF.



Overall I am very satisfied with my decision to go with the D3300. It is very lightweight, user-friendly, and most importantly, takes pictures with excellent image quality.

Nikon D5300 24.2 MP CMOS Digital SLR Camera with 18-140mm f/3.5-5.6G ED VR AF-S DX NIKKOR Zoom Lens (Black)

CUSTOMER REVIEW



I got this camera as an upgrade to my beloved D5100 so the bar was pretty high and so this review is often D5100 vs. D5300. I'll be frank. The D5300 outclasses the D5100 so substantially that it has utterly obsoleted the D5100. Ignore those who say that the D5300 merely provides an opportunity to pick up a D5200 or D5100 for a bargain price. No. The D5300 is now the ONLY camera in the Nikon D5xxx line. It has changed the game. Don't bother counting pennies, this camera is underpriced at full price. The fact that I am sincerely comparing images from this $800 camera body to my D800E's images truly says it all.



Please allow me to just get into the Pros and Cons:



PROS:



1) PHENOMENAL IMAGE QUALITY! AT LOW ISO THE D5300'S IMAGES ARE ON PAR WITH THE BEST CAMERAS IN THE WORLD AND THAT IS NO EXAGGERATION WHATSOEVER. I can't believe there is still a debate going on about the efficacy of Anti-Aliasing filter removal. I'm sorry, but the difference is so noticeable there is no debate. And moire was a myth even on the D800E, which I do also own. I guarantee you that you will find more moire in a D5100's or D7000's images than you will on the D5300. Color and saturation from the D5300 are exceptionally good versus ANY camera at any price point. Now, I will still take the D800E's images over the D5300's but it is not at all night & day. They are actually surprisingly close at low ISO.



EDIT 2013-12-09: Photographing cats a lot I am catching a little false color on shiny fur. Nothing of concern to me though.



2) Focus point spread (area of image with AF sensor coverage) is MUCH greater than in FX ("full-frame" sensor size) cameras. The D5300's AF point coverage extends left-right top-bottom much farther than FX cameras. I would estimate the D5300 covers probably double the area that FX cameras do and this is an ENORMOUS advantage. I always leave my D800E's focus point glued to Center because the AF coverage is only in the center area anyway so why bother with the other 50 AF points when they just don't cover anything? I actually do use my focus points on my D5300 because they cover the frame pretty well. I'd still like to see even more coverage, but vs. the FX bodies, APS-C cameras have a tremendous advantage.



3) Minimum shutter speed in Auto ISO now has AUTO setting that adjusts based on focal length! This is SO much better than a fixed shutter speed regardless of lens length.



4) Hard to quantify but the HDR images look much nicer than the D5100's and the Extra High setting is intense and beyond the D5100's abilities. I have not been able to verify this but it *appears* as though there is now image alignment for the 2 photos used for the HDR image as my handheld HDR shots nearly never look like 2 images whereas they often did on my D5100 at full or nearly full magnification. HUGE improvement!



5) Great-for-DX and pretty-good-versus-FX ISO performance. I'll put this to bed right now; the D800E smokes the D5300 for high ISO performance. Sorry, this is a different league. However, the D5300 substantially outperforms the D5100 at ISO 1600+. The improvement in the D5300 over the D5100 is readily noticeable.



6) Much more intuitive i Menu. The D5100's i Menu being J-shaped was ridiculous and totally awkward. I never got used to it after thousands of photos. The D5300's standardized 2-lines-across-the-bottom Nikon style is a drastic improvement.



7) GPS! I don't know what Nikon was thinking with that clunky expensive GP-1A. Did anyone ever buy one? The D5300's internal GPS works great and hooks up quickly and I'm big on geotagging so I am super stoked to have this on a REAL camera!



EDIT 2013-12-09: I spent a day in the country (wide open clear sky) with this camera outside of my normal metro town area and despite using A-GPS data, it took somewhere between 30-60 minutes to get GPS lock. Surprised, disappointed. But that was the only time I have had trouble with hookup.



8) Nikon's had truly exceptional built-in flash performance since at least the D90. The D5300 does not disappoint and bests or matches its predecessors at any price point. This could be a result of image processing more than flash performance but whatever it is, using flash is a joy, not something to dread.



9) The red body paint color is super-gorgeous! It's like a candy apple red Corvette color and it is way sexy.



10) The new bigger, higher-pixel screen is REALLY nice. It is not insignificant like many reviewers dismiss it as. I like it a LOT. :)



11) EN-EL14a battery with 19.4% more capacity is a nice treat and helpful when running GPS and/or the silly WiFi. I have not spent a full day shooting hundreds of photos with the D5300 yet but I have shot perhaps 100 shots in a day with GPS on and flash here and there and a lot of reviewing and in-camera editing and not gotten below 2/3 battery level in a day.



EDIT 2013-12-09: GPS was on from about 8:45am to 5:30pm, WiFi was off all day, I shot 362 photos (almost all were 14-bit RAW+Large Basic JPEG so roughly only about 170-190 shutter clicks) and probably 15 of those photos had flash, 2 minutes of video, edited 6 photos and had a couple of review sessions during the day. Battery level fell to 1/3 remaining. Not bad but could be better. If you're a heavy shooter and will use GPS and/or pop-up flash, carry a spare battery.



12) Here's a gem for the old-school film guys like me. ;) Or a little "secret treat" for digital-era photographers with a true creative streak. In Manual exposure mode, the "T," or "Time" setting has returned! Want to take a 5-minute or 5-hour exposure but you left your plug-in intervalometer/timer at home? Lol, as if you even have one... No problem. Turn your shutter speed dial all the way past 30-seconds, past Bulb and click on into good ol' Time at the end of the dial. Press the shutter button to open shutter, let your wristwatch or phone tell you when exposure time is up and then press shutter button again to close the shutter. Seriously?! Yes, seriously. How cool is that?! I miss this so much and guess what? Even my D800E does not have T and the D5100 does not either. According to the Nikon info page for the D5200 (Yes, D5200. Not a typo), T is there but you need the ML-L3 remote to use it.



CONS:



1) EDIT 2013-12-09: I have found that focus points other than THE Center focus point are somewhat frequently inaccurate. Focus points at or near the left and right edges are rarely accurate and almost never dead-on. If you use ONLY the Center focus point, focus accuracy is quite good and consistent. As Center AF point AF-S is almost always how I shoot, this is not a deal-breaker for me but it is certainly a handicap. If you use multi-point AF tracking or regularly venture away from Center AF point, you had better experiment with different AF points at a local camera store before buying one from any store, Amazon included. I am beginning to think my camera may be defective and will likely send it to Nikon for repair or exchange it with Amazon for a new one. Honestly, I expect this to be a performance trade-off that Nikon will not remedy. Though $800 is not cheap, this caliber of image quality for $800 is going to come with trade-offs and I bet being forced to use Center AF point is one of those trade-offs.



2) EDIT 2013-12-09: I had a chance this past weekend to use Live View in some beautifully sunlit countryside. Sorry, even with truly ideal lighting Live View is horribly slow and constantly hunting. Don't use it for anything other than manual focus confirmation with screen zoomed for precise focusing. And focus VERY slowly as screen update time has substantial lag. I'm not really concerned about video, but this camera cannot focus worth a darn for video. It really is that bad, sorry.



3) When reviewing a photo on my D5100 and even the D5200, I could just press the OK button to get into Retouch Menu and then get into RAW processing of that image in another click of OK. Boom, 2 presses of OK and I am RAW processing the image I'm looking at. Well, not anymore. Now I have to press the "i" button to get into Rating/Retouch/Send Menu and then click OK to get to Retouch Menu and then another click of OK to get to RAW processing. Hardly a nightmare but takes an extra button press and, more importantly, is ergonomically awkward and more prone to mistakes.



4) Noisy Multi-Controller. I like having solid clicks, but man, clicking Up, Down, Left or Right on this Multi-Controller is literally enough to wake someone up. My gf grumbles at me for reviewing/RAW processing in bed because of that. It's also not so great in public areas as it intrudes on the conversations of neighboring tables, etc. It's really an irritating higher pitch that grabs attention. I know this complaint sounds whiny, but it truly is an intrusive noise problem.



5) WiFi is rubbish. You can't upload full-resolution images to your smart device via WiFi. And I don't believe (but I could be wrong about this) that you can WiFi upload at all to a PC. I wanted to have instant constant file backup via WiFi. Nope.



6) Slow RAW process Menu navigation. Perhaps it's the sheer file size but things like scrolling Picture Control modes in RAW processing is very slow relative to the D5100.



7) Slow photo review after taking a picture(s). Takes too long for the D5300 to gulp down one or a few RAW+Large Basic JPEG shots (my standard resolution).



8) After assigning HDR function to the BKT button (D5100)/Fn button (D5300), activating HDR now requires holding the Fn button and turning the dial until you get the setting you want before letting the Fn button go. On the D5100 you set your HDR preference one time in the Menu and then activation via BKT button only took a single press. Now it's a process. And my favorite setting (High) takes the most clicks (3 to the left or 3 to the right) to get to. The Auto HDR mode should simply be removed so we just scroll Low, Normal, High, Extra High and should be permanently Menu-set to facilitate 1-press activation a la D5100.



9) To get autofocusing you MUST use an AF-S or AF-I lens. D5300 body has no focus motor for AF or AF-D lenses. Metering requires a CPU lens.



CONCLUSION:



The D5300 is not a camera for sports, when rushed or in demanding conditions and you are gambling when you change away from Center AF point. Many consumer cameras like to claim performance in this fast-action realm, but no. If it's not pro gear it will suck at sports and tracking a subject. Always has been and likely always will be the case. However, for general photography, landscape, portraiture/still life, macro, time-lapse, etc. the D5300 creates stunningly sharp and colorful images able to be painlessly enlarged to enormous proportions. I wouldn't hesitate to print 3-foot x 2-foot (that is 36x the size of a 4-inch x 6-inch) prints. And that would be essentially pixelation-free. 6-foot x 4-foot would still look fantastic.

Canon Rebel T5i Digital SLR Camera

Renew Your Creative Soul

Photo enthusiasts rejoice! The new flagship of the spectacular Rebel Line, the EOS Rebel T5i, is here to renew your artistic side with amazing imaging features and full-featured functionality. Users will be impressed at how simple and intuitive it is to create breathtaking photos with ease. The incredible image quality and performance starts with an 18.0 Megapixel CMOS (APS-C) sensor and Canon's superb DIGIC 5 Image Processor. Combined with an extensive ISO range of 100–12800 (expandable to 25600 in H mode), the EOS Rebel T5i boasts crisp, detailed images, even in low-light situations. A continuous shooting speed of up to 5.0 fps allows for fast action capture. 9 cross-type AF focus points help ensure crisp focus throughout the frame, and the Hybrid CMOS AF system enables speedy and accurate autofocus when shooting in Live View mode. In addition, the camera is compatible with Canon STM lenses for smooth, quiet AF performance. And the performance doesn't stop with photos. EOS Full HD Movie mode with Movie Servo AF makes shooting high quality movies easy, and the brilliant Vari-angle Touch Screen 3.0-inch Clear View LCD monitor II makes composing fun. Seven Creative Filters, now viewable in real time, puts composition control directly in your hands and is just one of the many features of the EOS Rebel T5i that is sure to renew your creative soul.

Amazing Capture and Processing Power.

18.0 Megapixel CMOS (APS-C) sensor

The EOS Rebel T5i features Canon's amazing 18.0 Megapixel CMOS (Complementary Metal Oxide Semiconductor) sensor. Perfect for enlargements or for cropping detailed portions of the composition, the camera's sensor captures images with exceptional clarity and tonal range. This first-class sensor features many of the same technologies used by professional Canon cameras to maximize each pixel's light-gathering efficiency and has center pixels that aid in the EOS Rebel T5i's accurate AF performance. This APS-C size sensor creates an effective 1.6x field of view (compared to 35mm format).

14-bit A/D Conversion

With 14-bit analog-to-digital conversion, the EOS Rebel T5i captures and records images with remarkable gradations and detail in subtle tones and colors, resulting in more realistic and detailed images. By recording up to 16,384 colors per channel, the EOS Rebel T5i ensures that the fine detail found in subjects like foliage, sky and water are preserved and recorded with a tremendous level of accuracy, ensuring gorgeous results.

ISO 100–12800 and expandable to 25600 in H mode

Thanks to its DIGIC 5 Image Processor, the EOS Rebel T5i features an expanded ISO range of ISO 100–12800 (expandable to 25600 in H mode) that makes shooting possible in situations previously unthinkable without flash. The EOS Rebel T5i, with the DIGIC 5 Image Processor's remarkable noise-reduction technology, performs brilliantly in low-light shooting. Used with one of Canon's EF or EF-S lenses with Optical Image Stabilizer, the EOS Rebel T5i can record beautiful images even when light sources are scarce.

DIGIC 5 Image Processor

The EOS Rebel T5i's DIGIC 5 Image Processor works with the camera's CMOS sensor to deliver images with incredible detail in more situations, without the need for artificial light sources. With the power of the DIGIC 5 Image Processor, the EOS Rebel T5i can achieve higher ISO sensitivity, can shoot up to 5.0 fps continuously and can even perform advanced functions like HDR Backlight Control, art filters, lens correction and much more. The camera's brilliant imaging core supercharges every facet of still and moving image capture.

The Speedy Rebel!

High-speed continuous shooting

The EOS Rebel T5i can shoot up to 5.0 frames per second, continuously. Thanks to the enhanced shutter mechanism, mirror drive and camera sensor, the EOS Rebel T5i is ready for action; whether capturing that perfect expression, the game's winning goal, or the bride walking down the aisle, the EOS Rebel T5i delivers the speed and performance to guarantee results.

Enhanced AF Systems Tailored for Perfect Stills and Video.

Exceptional autofocus performance and Hybrid CMOS AF

The EOS Rebel T5i is equipped with AF features that ensure speedy, accurate and continuous AF every time. When shooting through the viewfinder, the EOS Rebel T5i has advanced autofocus with a 9-point, all cross-type AF system (including a high-precision dual-cross f/2.8 center point) for accurate focus whether the camera is oriented in portrait or landscape position. An AI Servo AF system achieves and maintains consistent focus with an exceptional degree of reliability.

The EOS Rebel T5i also features Canon's amazing Hybrid CMOS AF System, perfect for shooting photos and video in Live View. This system combines two distinct AF technologies, phase and contrast detection AF, for speedier and more accurate focus. These complementary focusing systems are aided by pixels on the camera's CMOS sensor that assist in predicting subject location, making continuous focus tracking quick and accurate in video recording while enhancing focusing speed.

True HD Performance, Rebel Simplicity.

EOS Full HD Movie Mode with Movie Servo AF

The EOS Rebel T5i offers easy-to-use, professional video capture without compromise. Capable of shooting in a number of recording sizes and frame rates, the EOS Rebel T5i is the new standard for performance, quality and simplicity. The EOS Rebel T5i enables easy manual control of exposure, focus and Live View features, even in-camera editing! Movie Servo AF allows continuous autofocus tracking of moving subjects while recording video. When shooting video with one of Canon's STM lenses, such as the new EF-S 18–55mm f/3.5–5.6 IS STM, Movie Servo AF takes advantage of the lens' stepping motor for smooth and quiet continuous AF. With an STM lens attached, the EOS Rebel T5i is the standard for SLR moviemaking performance!

Resolution & Recording Sizes	Frame Rates
Full HD 1920 x 1080 16:9 format	30 fps (29.97)
	25 fps – PAL standard
	24 fps (23.976)
HD 1280 x 720 16:9 format	60 fps (59.94)
	50 fps – PAL standard
Standard Definition (SD) 640 x 480	30 fps (29.97)
	25 fps – PAL standard

Built-in stereo microphone, manual audio level adjustment

The EOS Rebel T5i has an internal stereo microphone for improved audio capture and a wind filter feature to reduce wind noise when shooting outdoors. Sound recording levels can be manually (up to 64 different levels) or automatically controlled. A built-in attenuator is also provided to reduce audio clipping. For more advanced audio recording, the EOS Rebel T5i is compatible with many third-party electret condenser microphones with a 3.5mm diameter plug.

Video Snapshot

With the Video Snapshot feature, the EOS Rebel T5i can capture short video clips (of 2, 4 or 8 seconds) then combine them automatically into one video file as a snapshot or highlights "album". With no editing needed after shooting, the compiled video is perfect for sharing online or displaying directly on an HDTV via the camera's HDMI port. Additionally, stills can be recorded during video shooting simply by pressing the camera's shutter button. During playback, video clips in an album can be reordered or deleted.

Sharp and Clear, with Tactile Controls.

Vari-angle Touch Screen 3.0-inch Clear View LCD monitor II with multi-touch operation and Touch AF

The EOS Rebel T5i comes with a Vari-angle Touch Screen 3.0-inch Clear View LCD monitor II. Using capacitive technology similar to today's popular mobile devices, this screen is touch-sensitive and delivers intuitive touch panel operation. Two-finger touch gestures can be used for zooming or changing images. Menu and quick control settings can be accessed, and focus point and shutter release can be activated with the touch of a fingertip using Touch AF. Displaying fine detail (at approximately 1.04 million dots), this screen is perfect for composing and reviewing images. Thanks to a solid construction between the monitor's resin-coated cover and the liquid crystal display, reflections are minimized, and the display can be viewed, without glare, from any number of angles. The LCD's surface is treated with a smudge-resistant coating to minimize fingerprints and maintain a bright, clear image display.

Complex Functions Made Simple.

Scene Intelligent Auto mode

The EOS Rebel T5i features Scene Intelligent Auto mode, which incorporates a number of Canon technologies to deliver the best possible exposure. Joining Picture Style Auto, Automatic Lighting Optimizer, Automatic White Balance, Autofocus, and Automatic Exposure, Scene Intelligent Auto mode analyzes the image, accounting for faces, colors, brightness, moving objects, contrast, even whether the camera is handheld or on a tripod, and then chooses the exposure and enhancements that bring out the best in any scene or situation.

Amazing Effects for Dramatic and Gorgeous Results.

Handheld Night Scene mode

Accessible right on the EOS Rebel T5i's Mode Dial, Handheld Night Scene mode captures nightscapes with bright highlights and detailed dark areas, delivering results previously impossible without the use of a tripod. By shooting and combining four consecutive shots at a shutter speed fast enough to avoid camera shake, the EOS Rebel T5i's Handheld Night Scene mode makes dramatic nighttime photography simple.

HDR Backlight Control mode

The EOS Rebel T5i's HDR Backlight Control mode ensures that backlit subjects are not recorded too darkly. By shooting three consecutive shots at different exposures (underexposed, correctly exposed and overexposed) and then combining the images, the final result maintains detail in both the shadow and highlight areas, ensuring the backlit subject is properly exposed.

Seven Creative Filters that can be displayed in real time

To add to the fun and creative possibilities available with the EOS Rebel T5i, the camera has seven different creative filters that can dramatically alter the mood and visual effect of any particular scene. Creative Filters include Grainy Black and White, Soft Focus, Fisheye Effect, Toy Camera Effect, Miniature Effect, Art Bold Effect and Water Painting Effect. Each effect can be applied in three different levels (low, standard and strong), and easily previewed on the LCD panel in Live View. Since the filters can be applied to the image after shooting, it's easy to try several effects on the same shot during post-process.

Cleaner Images, Even at High ISO.

Multi Shot Noise Reduction

To enhance its already admirable high ISO shooting capabilities, the EOS Rebel T5i features an intelligent Multi Shot Noise Reduction tool that reduces noise even further than the camera's sensor and the DIGIC 5 Image Processor do. With Multi Shot Noise Reduction activated, the camera takes four consecutive shots, merges and aligns them. This eliminates more noise than the Rebel's traditional Noise Reduction filter, with little or no apparent resolution loss. Moving subjects are even optimized to minimize subject blur! Thanks to this clever feature, high ISO shooting has never looked better.

Flexible and Reliable Recording.

Compatibility with SD/SDHC/SDXC memory cards, including Ultra High Speed cards

The EOS Rebel T5i uses popular SD, SDHC, SDXC, and is even compatible with Ultra High Speed (UHS-I), memory cards. Compact and available in large capacities, SD, SDHC and SDXC memory cards are a perfect complement to the camera's compact design.

Additionally, the EOS Rebel T5i is compatible with Eye-Fi* SD cards, which are outfitted with a Wi-Fi^® transmitter (IEEE 802.11b/g) and an internal antenna for wireless, high-speed transfer of images. With an Eye-Fi card installed, the EOS Rebel T5i can display the Eye-Fi's connection status and error notes with ease, for fully functional wireless uploading of images directly from the camera.

* Canon cameras are not guaranteed to support Eye-Fi card functions, including wireless transfer. In case of an issue with the Eye-Fi card, please consult with the card manufacturer. The use of Eye-Fi cards may not be available outside the United States and Canada; please contact the card manufacturer for territory availability.

A Comprehensive System of Optics Perfect For Video and Stills.

Compatible with EF and EF-S lenses

The EOS Rebel T5i is compatible with all Canon lenses in the EF lineup, including compact and lightweight EF-S lenses, ranging from ultra-wide angle to super telephoto lenses and including the STM series optimized for video shooting. Canon lenses employ advanced optical expertise and micron-precision engineering to deliver outstanding performance and deliver beautiful results. Special technologies like Canon's Optical Image Stabilizer help to minimize the effect of camera shake, effectively adding up to four stops of light; STM lenses even feature a stepping motor for smooth and quiet continuous autofocus while capturing video. With an array of lenses perfect for travel, sports, still life and everything in between, photographers can truly maximize the quality and performance of their EOS Rebel T5i.

More Features for Increased Versatility.

Lens Aberration Correction

The EOS Rebel T5i features lens correction tools that compensate for lens characteristics that can affect overall image quality. The EOS Rebel T5i's Peripheral Illumination Correction feature corrects light falloff in the corner of the image according to the characteristics of the lens being used. It even has correction data for a number of popular lenses stored in its memory. With the EOS Rebel T5i's chromatic aberration correction tool, distracting color fringing can be corrected at the time of shooting.

Feature Guide

To help explain the specific function of features found on the EOS Rebel T5i, the Feature Guide displays a simple description helpful in determining the applicability for the situation at hand. It is displayed in each shooting mode, during mode dial operations, and for Quick Control screen functions. It appears automatically when a function is selected – a lifesaver when trying to determine the best mode or function for the next picture. The feature guide works automatically by default, and can be disabled easily through the camera's menu.

GPS Compatible

With the optional GPS Receiver GP-E2 attached to the hot shoe or the digital terminal, the EOS Rebel T5i can record location, including latitude, longitude and altitude, and has the ability to track the trajectory of movement with its logging function. An electric compass records the camera's orientation during each shot, and world time information is recorded through GPS syncing.

JPEG Resizing

To create images suitable for sharing by email or online, the EOS Rebel T5i can resize JPEG files, in-camera, of varying pixels (aspect ratio cannot be changed, only the image size can be decreased) while leaving the original image untouched.

Photobook Set-up

Photographers can share their images in book form with the EOS Rebel T5i's convenient Photobook Set-up feature. Users can easily choose specific images, images in a folder and even all images, then specify their sequence and layout. The results can be printed in book form with ease.

Image Rating

To help organize images recorded to the camera's storage, the EOS Rebel T5i makes it simple to rate individual images from one star to five. Therefore, image browsing, printing and slide shows can be based upon those ratings.

Scene Mode Position

Newly featured on the EOS Rebel T5i, the SCN setting on the Mode dial activates a choice of scenes on the menu screen for quick access to features like Night Portrait, HDR Backlight Control, Handheld Night Scene and more.

Sony A65VM 24.3 MP Translucent Mirror Digital SLR With 18-135mm Lens

CUSTOMER REVIEW



Sony A55 vs. A65: is Newer Really Better?



When Sony released info on the Nex-5N, NEX-7, a65 and a77 models, I decided that the technological leaps on the new line was enough to make me a believer. What really put me into the Sony system over Canon and Nikon was the lower price points on the Sony lenses. Yeah, they don't have as many lenses as the Big Two, but I don't know any photographers with 25+ lenses in their closet, either. The NEX-5N looked nice but I like viewfinders and didn't want to be gouged on that accessory. The NEX-7--while pricey--still doesn't have a release date. The a65 was priced below the a77 by almost $500, so that was a no-brainer, but was it $200-worth more than the a55, a camera that--for the most part--touts a devout ownership?



I actually bought the a65 and the a55 at the same time, opting for the a65 because of its corrected overheating issue while filming video (the tie-breaker for many) and the a55 because, aside from the overheating issue (a "logical" deal-breaker for many with the arrival of the a65), it offers just about everything else the a65 does, minus some cosmetic differences and a handful of megapixels most of us will never use or need.



First, the differences. The a65's swivel LCD is a nice little touch over the a55's traditional vertical flip-out. With the rotating swivel I was able to take shots by holding the camera down low and high over my head. The LCD view on this unit is crystal clear. The electronic viewfinder on the a65 is superior to the a55. (**I'm not going to get into the differences between the OVF and Sony's EVF; if you are reading this, it's because you're either used to EVFs in general, don't mind them, or think Sony cameras are cool, regardless.) The EVF here offers a FULL view of my shots. Also, if you use the EVF instead of the LCD, there is a level meter that basically tells you if your shot is in focus, and if your horizon/vanishing points are perfectly level; this is invaluable if you're taking landscape or wide shots. When shooting people it eventually recognizes redundant faces and will instantly articulate in on the principle person you're shooting automatically if they are in a crowd or shot with multiple people; this I also found to be a rather nice innovation and would be tremendous if I were shooting a wedding and only cared about the bride, for example. The thing that I liked most about the a65 over the a55 however was completely unexpected: on the a65 there is a dedicated ISO button next to the aperture/shutter wheel, and next to it is a dedicated exposure button that will give you accurate adjustments in the EVF before you shoot. AWESOME. After a couple hours of shooting with this unit I could easily toggle between the Aperture, ISO and exposure intuitively by simply moving my finger slightly from one button to the next. In this regard, making on the fly adjustments while shooting on the street was a snap.



One cosmetic/function quirk that really bugged me on the a65: the frame-zoom button is in a weird place. Located in the top right behind the wheel and shutter button, I kept hitting it by accident and it was quite annoying. I also didn't like how it basically took me a day and a half to 1) find the playback function for video and 2) toggle back and forth between video and regular picture playback mode. After two days I still didn't know how to download the video off of the card. It was like Easter egg hunting! Also, some of the novelty shooting camera modes looked like fun when I first powered up, but I quickly realised that the shooting potential of this camera was so great that I'd actually be doing a disservice by being too cute with the toy functions. The regular shooting and BW modes were all I truly needed to get really impressive results.



The a55 by contrast shoots just a clip slower¬¬--though the AF is just as snappy--with little discernable difference, unless you put the camera in review mode to look at shots after you take them, then it sorta bricks out for longer seconds than its successor. (**On the a65 the review mode is default to OFF.) The a55 is also decidedly lighter in weight. I will note that because I have egregiously long fingers, it was actually a less comfortable handle than the a65, and I almost felt like the two models are specifically tailored to different hand-types. Actually, this is a BIG DEAL if you don't care about cute functions: if you have little hands and generally prefer light equipment, the a55 (at $200 less I remind you) carries more value in day-to-day carrying and shooting. If you have bigger hands, the a65 is an absolute must, you will thank me later.



Finally, the video mode. On the a65 the quality on the 60i is far superior to anything I've ever seen on a DSLR, hands down. I actually wanted the a65 because it shot in "cinematic" 24p, but I can attest that compared to the 60i on this unit it left a lot to be desired. If you are mulling the a65 specifically because it has a 24p option, do yourself a favour, save your money and get the a55, just trust me on this. One more thing on the video: I know some (well, a LOT) of a55 users have complained about the sensors overheating at about 5-10 continuous minutes of filming. When I tested the a55 out of the box (it was the first thing I tested, actually), the camera copped out at just over 8 minutes at room temperature. I ran the same test on the a65 and made it nearly 20 minutes without any issues whatsoever. That being said, this is an SLT/DSLR-type camera. You should know that it is extremely UNSATISFYING to hold an SLT/DSLR camera to shoot video for more than a couple of minutes, period. In that sense and in retrospect, the 5-10 cap on the a55 seems pretty negligible. Honestly, if you are leaning towards the a65 only for its longer shooting time capability, don't. Unless you're currently trying to get 15+ minutes of continuous film out of your DSLR (and really, you shouldn't be), the video capabilities and shortcomings between the two units should be the least of your worries.



Finally, a lot has been said about Sony's poor performance at high ISO levels. Indeed, on the a65 when I shot a band performing in a club the background noise left a lot to be desired past 1600. On rendering the blurs and noise actually turned to mud and many of those photos were simply unusable. I did not test the a55 in this regard; I feel if having a great performer at super high ISOs is your thing, Nikon is probably way to go. (**I REALLY wished this a65 performed better here.)



All this being said, the a65 is a winner over the a55 in every category if money is not an issue. If money IS an issue, or if you want to get more bang for your buck, the a55 body-only plus a better-than-kit lens will give you awesome value and you won't be missing anything it doesn't offer over the a65 if your only concern is taking fantastic pictures. In doing a side by side comparison of well-lit indoor shots using the same 35mm 1.8 lens stopped down to f2, the a55 curiously produced sharper photos, while the white balance on the a65 appeared to be slightly more neutral. My reaction: Huh . . .



So what did I pick? Ultimately, I went with the a65. Really, the ISO button and ergonomical fit for my big hands were the things that really swayed me. I shot on both cams at 12MP so I didn't get full reso use out of either body. But I had to ask myself: Is the ISO button alone worth $200? Absolutely not. But the a65 fitting better in my bigger hands, that was worth $200. That won't be worth $200 to everybody. If you have smaller or normal-sized hands and just want top notch performance and super sharp pictures the a55 is a sneaky good pickup. You can always fix balance in post.



***UPDATE***

This cannot be overstated, but if want to get a nice and cheap prime lens, I HIGHLY recommend the Sony 35mm1.8f. It is the 50mm equivilent on the A65 (if you buy the 50mm your shots will be too tight to take on the street). The lens costs $50 more than the Sony 50mm but it truly rivals glass more expensive than this. People are blown away by rather standard shots I've taken with this. If you don't care about the so-so kit lens and want to save some dollars, buy the body only and get the 35mm.