Friday, November 22, 2013

Nikon D7100 24.1 MP DX-Format CMOS Digital SLR (Body Only)


Nikon D7100 24.1 MP DX-Format CMOS Digital SLR (Body Only)









CUSTOMER REVIEW



While I'm hoping Nikon will release a D400, I couldn't resist trying out the new D7100. As a working pro who uses both FX and DX format cameras, my first impressions of the D7100 are very positive.



My simple summary is that this camera is a bargain and that those already inclined to own the best the DX camera Nikon sells should get one.



Having worked for years with the D300 and the D7000 bodies, my perspective on this one is influenced by what I think is good about those two popular cameras. I hoped that the D7100 would really improve in the areas of autofocus, shadow noise, and overall resolution/acuity. This camera has not disappointed me, and has even a few minor improvements I wasn't expecting.



Of first importance, shooters of the D7000 will appreciate the big improvements in AF (you probably know how sketchy that camera is to focus, especially compared to the 51-point standard set by most older/current pro bodies). It's fast, accurate, and doesn't get fooled into moving if you recompose. On single focus mode, it simply acquires and holds where you want. And the tracking AF is on par with Nikon's pro standard. This is huge for me, since I love the quality of images the D7000 gives but hate the unreliability of its AF. Acquiring focus in low light seems a bit snappier and more accurate than even the D300.



The resolving power of this sensor is unlike any DX camera before it. Because the D7100 doesn't have an anti-aliasing/low-pass filter on its 24 megapixel sensor, I knew it would be able to show a perceptible increase in resolving detail over the older D7000, and again I am glad to report it does - IF you use good glass, stopped down a bit, and process from the RAW files. My test shots captured with the Tokina 11-16 and Nikon 70-200 have blown me away. The acuity when zoomed in is night/day compared to the D7000. However, if you use mediocre glass then the only differences you'll notice are larger files and slightly better dynamic range.



In DX images, shadow noise has generally appeared too stippled even at lower ISO values, rendering a texture that the FX sensors don't have at the same ISO's. The D7100 has definitely improved this. The texture gradient is more uniform and it reminds me of the D600 in this way. Although I haven't done tests above ISO 1600, the shadow textures are more uniform and pleasant (natural?) on skin than the previous DX cameras.



Shooters familiar with Nikon's pro camera ergonomics will appreciate that the D7100 has added the quick magnification/zoom feature to the `OK' button on the rear thumbpad. It's great for snappy, quick inspections at defined zoom ratios to check for focus accuracy. This feature is nonexistent on the D7000 and the D600. I find it very handy and preferable to the +/- buttons.



Speaking of the +/- buttons to the left of the LCD, I have no idea why Nikon reversed their positions on this camera. It's a small thing but still annoying.



I'm still getting used to the new viewfinder display, so the jury is out.



The two-shot HDR feature isn't what it should be since it doesn't align the images. I'd use the bracketing feature on a tripod and be done with it.



I like that there's finally a lock button in the center of the program mode dial to avoid accidental switching, which happens too often on the D7000.



The rear LDC screen is slightly larger and also a bit crisper to my eyes.



The overall fit/finish is solid and secure. I have big hands so I only wish it was the same form factor as the D800 (hey Nikon, give us a D400 already), but at this price I'm not complaining.



I wish Nikon could squeeze out better battery performance from their cameras, frankly, and the D7100 hasn't improved upon what has become normal for the past couple years.



Sorry, but I don't mess with video so I cannot speak to this.



As a still image camera (in the DX format) the D7100 has really set a new standard. Even though I'd buy a D400 if it came out tomorrow, there's nothing stopping me from enjoying the D7100 today as the best you can get. I feel that the price is low for what it is and can create. Highly recommended...

Wednesday, November 20, 2013

Nikon D3100 14.2MP Digital SLR Double-Zoom Lens Kit with 18-55mm and 55-200mm DX Zoom Lenses (Black)


Nikon D3100 14.2MP Digital SLR Double-Zoom Lens Kit with 18-55mm and 55-200mm DX Zoom Lenses (Black)









CUSTOMER REVIEW



For the cost of this camera, I don't think you can get anything better. The low light performance is off the charts. As a wedding photographer I regularly shoot with Nikon's high end professional equipment and I was amazed how close this camera is to a pro camera. Now let me get specific. In order to compare I took a look at 100% files out of each camera I own.



Which camera excels Nikon D3100($Cheap) VS. D300($1600) VS. D700 ($2,700):

* Lens = The D3100 is the only camera that comes with a lens at it's normal price

* ISO Performance = Tie between D3100 and D700! (It could be Nikon's new processing but the JPEG looks fantastic I was shooting D3100 on 6400iso with very little noise at all)

* Low Light Focusing = D700

* Focus Speed = D700

* External Buttons & Controls for Pros = D700

* Menu Navigation = D3100

* Ease of Use = D3100

* Megapixel = D3100 (14.2)

* Sensor size = D700 (Much more important than megapixels but I won't get into this)

* Can use older lenses with functionality = D700 & D300

* Video = D3100 of course! 1080P video looks amazing.

* Frame Rate = D300 at 6 photos a second

* Weight = D3100 (light as a feather)

* Ergonomics = D700 (big enough for all my finger)



Lens:

The lens is a kit lens, it will work outside but not so great in low light. The Vibration Reduction will help indoors but Vibration Reduction can't stop a child or pet in motion indoors. Consider buying a 35mm 1.8dx AFS for around $200 and you will be super happy with this camera.



Video:

I purchased the 3100 specifically to shoot video, so I put on Nikon's brand new 85mm 1.4g Nano lens and shot video with it. The lens costs more than double the camera but I wanted to see how the 1080P video looked. It has the look of a cinematic movie. After the 85mm, I put on Nikon's 50 1.2 manual focus lens and was able to take very cinematic video in manual mode. In order to make it brighter or darker you either need to use a really old lens like the 50mm 1.2 and hit the AE-L (auto exposure lock) and twist the aperture to change exposure. Or you can hit the AE-L button when you get the exposure you like. Its not a perfect system but it works well for me. Inside the menu options you can change the AE-L button to hold the setting until you reset which is helpful.



Jello Cam (What's not so great):

This camera still suffers from the "Jello Cam" look in video if it is not on a tripod and you are shaky. The video can look like jello if moved too quickly. Use a monopod or tripod when shooting to avoid this. I'm not sure if a faster video frame rate 60fps would help - but at 24 and 30 it can suffer badly.



Conclusion:

This is an amazing deal! Unless you make most of your income from photography or have a stockpile of old lenses (this camera can only autofocus with AFS lenses) then this camera is the must have camera of the year. If you have good composition skills and an eye for light you can take photos worthy of a magazine with this. Seriously, you won't regret buying this camera. When you do, do yourself a favor and buy an additional Nikon AFS lens that has a maximum aperture of 2.8, 1.8 or 1.4. These lenses will take better portraits and deal better in low light than the kit lens.

Tuesday, November 19, 2013

Nikon D7100 24.1 MP DX-Format CMOS Digital SLR (Body Only)


Nikon D7100 24.1 MP DX-Format CMOS Digital SLR (Body Only)









CUSTOMER REVIEW



While I'm hoping Nikon will release a D400, I couldn't resist trying out the new D7100. As a working pro who uses both FX and DX format cameras, my first impressions of the D7100 are very positive.



My simple summary is that this camera is a bargain and that those already inclined to own the best the DX camera Nikon sells should get one.



Having worked for years with the D300 and the D7000 bodies, my perspective on this one is influenced by what I think is good about those two popular cameras. I hoped that the D7100 would really improve in the areas of autofocus, shadow noise, and overall resolution/acuity. This camera has not disappointed me, and has even a few minor improvements I wasn't expecting.



Of first importance, shooters of the D7000 will appreciate the big improvements in AF (you probably know how sketchy that camera is to focus, especially compared to the 51-point standard set by most older/current pro bodies). It's fast, accurate, and doesn't get fooled into moving if you recompose. On single focus mode, it simply acquires and holds where you want. And the tracking AF is on par with Nikon's pro standard. This is huge for me, since I love the quality of images the D7000 gives but hate the unreliability of its AF. Acquiring focus in low light seems a bit snappier and more accurate than even the D300.



The resolving power of this sensor is unlike any DX camera before it. Because the D7100 doesn't have an anti-aliasing/low-pass filter on its 24 megapixel sensor, I knew it would be able to show a perceptible increase in resolving detail over the older D7000, and again I am glad to report it does - IF you use good glass, stopped down a bit, and process from the RAW files. My test shots captured with the Tokina 11-16 and Nikon 70-200 have blown me away. The acuity when zoomed in is night/day compared to the D7000. However, if you use mediocre glass then the only differences you'll notice are larger files and slightly better dynamic range.



In DX images, shadow noise has generally appeared too stippled even at lower ISO values, rendering a texture that the FX sensors don't have at the same ISO's. The D7100 has definitely improved this. The texture gradient is more uniform and it reminds me of the D600 in this way. Although I haven't done tests above ISO 1600, the shadow textures are more uniform and pleasant (natural?) on skin than the previous DX cameras.



Shooters familiar with Nikon's pro camera ergonomics will appreciate that the D7100 has added the quick magnification/zoom feature to the `OK' button on the rear thumbpad. It's great for snappy, quick inspections at defined zoom ratios to check for focus accuracy. This feature is nonexistent on the D7000 and the D600. I find it very handy and preferable to the +/- buttons.



Speaking of the +/- buttons to the left of the LCD, I have no idea why Nikon reversed their positions on this camera. It's a small thing but still annoying.



I'm still getting used to the new viewfinder display, so the jury is out.



The two-shot HDR feature isn't what it should be since it doesn't align the images. I'd use the bracketing feature on a tripod and be done with it.



I like that there's finally a lock button in the center of the program mode dial to avoid accidental switching, which happens too often on the D7000.



The rear LDC screen is slightly larger and also a bit crisper to my eyes.



The overall fit/finish is solid and secure. I have big hands so I only wish it was the same form factor as the D800 (hey Nikon, give us a D400 already), but at this price I'm not complaining.



I wish Nikon could squeeze out better battery performance from their cameras, frankly, and the D7100 hasn't improved upon what has become normal for the past couple years.



Sorry, but I don't mess with video so I cannot speak to this.



As a still image camera (in the DX format) the D7100 has really set a new standard. Even though I'd buy a D400 if it came out tomorrow, there's nothing stopping me from enjoying the D7100 today as the best you can get. I feel that the price is low for what it is and can create. Highly recommended...

Monday, November 18, 2013

Canon EOS 60D 18 MP CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only)


Canon EOS 60D 18 MP CMOS Digital SLR Camera with 3.0-Inch LCD (Body Only)









CUSTOMER REVIEW



Update: With the release of the T4i, this review needs a short addendum, which I will add to the end.



The newest addition to Canon's XXD line might initially seem like a minor downgrade to the previous XXD cameras, but several new capabilities actually help make this a nice, well-featured camera that will appeal to many people who don't get caught up in whether or not this is a better camera than it's predecessor. Canon certainly made this camera for the price point and was careful to add just enough features to make it desirable over the T2i, but not desirable enough to compete with the 7D. In some respects though, it seems like a beefed-up version of the Rebel line (a "Super-Rebel") instead of a new addition to the XXD line.



As someone who has now had the opportunity to use all three of Canon's mid-range lineup (the T2i, 60D, and 7D), I have to say that I really like the feel of the 60D. Even though it no longer has the magnesium alloy body, it feels solid. In no way does it feel cheap. I have fairly small hands and the 60D feels like it was made for me. It's significantly lighter than the 7D and feels like it would be much more friendly on long hikes. The 7D feels much more robust; however, the 60D feels much more "comfy". It is definitely bigger in size than the T2i, but the angles and design of the camera have a nicely updated feel to them that makes it seem like you are getting a much more substantial camera. The articulating screen was also done very well. My initial worries that the screen would feel cheap and break easily were immediately relieved after using it. The hinges are very solid and feel almost stiff to the point where you are comfortable with it staying right where you want it. It also is very flush with the rest of the body and offers little space in between.



Aside from the feel, the camera takes beautiful pictures. Quality-wise, there is very little difference between the pictures that come out of the T2i, 60D, and 7D. ISO performance is very similar and therefore can not be much of a deciding factor between the models. Most of the decision factors really will focus on which user interface and camera system best appeals to your type and level of photography. Each of Canon's mid-range models has it's own pros and cons, and while there are MANY differences between each camera, these are the main points I considered when deciding between cameras to purchase (hopefully it helps those going through the same decision I did):



60D vs. 50D:



(+) New Sensor - the same 18MP sensor that the 7D and T2i have, better ISO coverage/performance

(+) 63 zone dual-layer metering

(+) Better viewfinder - 96% coverage vs 95% coverage

(+) Video

(+) Articulating screen

(+) Wireless flash control

(+) Horizontal electronic level

(+) In camera processing (new RAW processing feature and in camera filter effects)

(+) Control over max auto-ISO

(+) Eye-Fi wifi file transfer functions



(-) The magnesium alloy body of the 50D has been replaced with a polycarbonate body

(-) 6.3 fps shooting is down to 5.3 fps

(-) No lens microadjustment in 60D



(+/-) Compact flash card slot has been changed to a SD card slot

(+/-) Joystick replaced by directional pad



60D vs. T2i



(+) 9 all cross-type AF points vs T2i's 9 points w/ 1 center cross-type

(+) 96%, .95 magnification pentaprism viewfinder vs T2i's 95%, .87 magnification pentamirror viewfinder

(+) Articulating screen

(+) Wireless flash control

(+) Horizontal electronic level

(+) In camera processing (new RAW processing feature and in camera filter effects)

(+) Top LCD screen

(+) 5.3 fps vs 3.7 fps

(+) Built in adjustable audio level capability in video



60D vs. 7D



(+) Articulating screen

(+) In camera processing (new RAW processing feature and in camera filter effects)

(+) Control over max auto-ISO

(+) Eye-Fi wifi file transfer functions

(+) Built in adjustable audio level capability in video



(-) 9 all cross-type AF points vs 7D's 19 all cross-type points

(-) Less AF features (such as Zone AF and Point Expansion)

(-) Polycarbonate body vs 7D's magnesium alloy

(-) 96%, .95 magnification pentaprism viewfinder vs 7D's 100%, 1.0x magnification pentaprism viewfinder

(-) Transmissive LCD screen on focus screen on 7D

(-) Only horizontal electronic level vs both horizontal and vertical level on 7D

(-) 5.3 fps vs 7D's 8 fps

(-) No lens microadjustment in 60D

(-) Shutter life of 100,000 vs 7D's 150,000

(-) Dual DIGIC 4 processors in 7D

(-) 3 custom settings in 7D; 1 custom settings in 60D

(-) No PC Sync in 60D



By comparing these features, it's easy to see that the 60D fits well in the price point directly between the T2i and 7D, but of course, a large segment of previous 40D and 50D owners hoping for a true successor that isn't watered down to a certain price point will still undoubtedly be disappointed. It's easy to see in comparing the 60D to the 7D and also to Nikon's newest offerings that Canon chose to limit functionality merely so that 60D sales didn't interfere with the 7D. In fact, if you are not completely entrenched in the Canon camp, I would also suggest looking at the new Nikon D7000. It looks like a spectacular camera for not much more than the 60D. I have not used it nor will I, so I can't comment on whether it's a better choice or not.



Even so, the quality of the 60D and new functionality offer enough new aspects that many customers will surely be happy with it. The articulating screen offers a way to attain tough shots that would have previously demanded extra equipment or odd contortions to reach. It also gives a great new avenue for video capture. Eye-fi wireless transfers work well and help out on those lazy days where you just want to set your camera down and have the work of transferring photos be done for you. Much of the in camera post-production comes off as being a little "gimmicky" to me, but having the option to add effects and process photos definitely doesn't detract from the camera. And many people who don't do much of their own post-processing after transfer to a computer will probably find the in camera RAW conversion and creative effects to be a nice addition.



To me, it really came down to one major factor though: autofocus. I tend to do a lot of shooting involving fast moving subjects, so autofocus for my photography is key. The T1i and T2i were disappointing in this respect. 9 points with one cross-type in the T1i/T2i is respectable, but I found that I really could only rely on using the center point in AI servo mode to get many speedy subjects in focus. I purchased a 7D later, and was blown away by the accuracy. The options of using extra points for expansion, using autofocus zones, having 19 full cross-type points, superior subject tracking, and even the option for narrowing the points in spot autofocus really opened up new areas of photography for me. I get about 10x the amount of usable shots than I would with the T1i and T2i. The 60D isn't THAT good, but it is still much better than the T1i/T2i. In fact, just like with almost everything else about the camera, it's just about right in between the T2i and 7D. Autofocus is fast and accurate, but there are still moments where subjects just move too fast and unfortunately, the 60D doesn't have the capabilities of the 7D. If you are deciding between the 7D and 60D, this is the area you should really look at, because this is the real difference between the 2 cameras. I chose the 7D, and then decided to give the 60D a try just to see if I made the right decision. I am happy with my 7D, but the 60D was no slouch.



In my honest opinion, I think this is a huge sticking point for 40D and 50D owners though. The autofocus system needed to be updated from the previous 2 XXD editions. It has the same 9 cross-type points as the 40D and 50D did before it, and same functionality. To be a good upgrade for previous XXD users, it didn't have to be as good or better than the 7D, but it would have been nice for it to be better than the previous 2 models. Removing the magnesium alloy body and lens microadjustment really comes across as a slap in the face to some users who valued those aspects. I have to say that the body is much lighter, doesn't feel significantly less sturdy (even though it probably is less sturdy), and I've never needed to use lens microadjustment though, so I'm not overly upset about those aspects. I am not thrilled about the "non-update" of the autofocus system though.



Now that I have handled and used all 3 cameras currently in Canon's mid-range lineup, I can definitively say that they are all stellar cameras, but just made for different segments of the market. The T2i is an amazing starter camera and takes great photos for those who want to save a little extra money by going without some of the features they might not use. It might be the best budget option for those who don't take many action shots. For an extra few hundred dollars, the 60D adds some intriguing new features and seems to be aimed at the people who want a slightly higher-end camera than the T2i, but aren't ready to shell out the money for the 7D. It's a great compromise, and to me, the main thing you are missing out on is superior autofocus capabilities. The 7D is more aimed towards the pro-sumer market who want/need a faster autofocus and overall faster, more rugged camera. It's hard to go wrong with any of them, but the 60D offers a great blend of features from both the T2i and 7D along with new features of it's own for a price that won't completely break the bank. It seems to have accomplished everything it needed to do, except for one: giving the 40D and 50D owners an option for upgrade aside from the expensive 7D. If the 60D had kept the magnesium alloy body, lens microadjustment, or even just had a slightly better AF system compared to the 50D, I could easily give this camera 5 stars. As it is, I can only give it 4 stars because it's a wonderful camera for a certain segment of customers looking for a new camera, but completely isolates another loyal customer base looking for their beloved XXD line to continue.



Update: With the release of the T4i, Canon's camera playing field has certainly changed. The minor changes to the T3i didn't warrant much more discussion on the 60D vs Rebel DSLR's than was already posted with the T2i, but the T4i brings some new interesting features to the table, puts picture quality and capture characteristics on par with the 60D, and in some respects ends up being a more appealing camera.



Perhaps the most interesting new features on the T4i are that it now has autofocus during video while using Canon's new STM lenses and has a touchscreen display. For those who want or need autofocus while shooting video, this is a big selling point for the new Rebel instead of the 60D. Granted, it's not going to live up to the snappy autofocus you get when not using live-view mode or that when using specialized video camera's, but Canon did a great job with it over all. In my mind, it is a desirable feature to have access to even if you prefer to manual focus video most of the time.



The T4i also upped the Rebel line's bar to include the 5 fps and 9 cross type autofocus points already found on the 60D.



So back to the question at hand though: If you are choosing between the 60D and the T4i, which one do you go for? The 60D still has some major advantages in my opinion, and it really comes down to the better camera body of the 60D vs. the new video features of the T4i. With the 60D, you get the large dial on the back of the camera for rotating through images and selections and you also get the top LCD. The 60D still has a better, brighter viewfinder and can shoot at 1/8000 of a second opposed to the max 1/4000 of a second that the T4i can do. If those aspects don't concern you and you desperately want video autofocus, go for the T4i instead. It's a great camera. If, on the other hand, you would like a slightly more professional body and can live without video autofocus, the 60D is a great choice too. My personal choice still goes to the 7D if you can afford the upgrade though - the autofocus and 8 fps on it really put it in another level.

Sunday, November 17, 2013

Nikon D3100 14.2MP Digital SLR Double-Zoom Lens Kit with 18-55mm and 55-200mm DX Zoom Lenses (Black)


Nikon D3100 14.2MP Digital SLR Double-Zoom Lens Kit with 18-55mm and 55-200mm DX Zoom Lenses (Black)









CUSTOMER REVIEW



For the cost of this camera, I don't think you can get anything better. The low light performance is off the charts. As a wedding photographer I regularly shoot with Nikon's high end professional equipment and I was amazed how close this camera is to a pro camera. Now let me get specific. In order to compare I took a look at 100% files out of each camera I own.



Which camera excels Nikon D3100($Cheap) VS. D300($1600) VS. D700 ($2,700):

* Lens = The D3100 is the only camera that comes with a lens at it's normal price

* ISO Performance = Tie between D3100 and D700! (It could be Nikon's new processing but the JPEG looks fantastic I was shooting D3100 on 6400iso with very little noise at all)

* Low Light Focusing = D700

* Focus Speed = D700

* External Buttons & Controls for Pros = D700

* Menu Navigation = D3100

* Ease of Use = D3100

* Megapixel = D3100 (14.2)

* Sensor size = D700 (Much more important than megapixels but I won't get into this)

* Can use older lenses with functionality = D700 & D300

* Video = D3100 of course! 1080P video looks amazing.

* Frame Rate = D300 at 6 photos a second

* Weight = D3100 (light as a feather)

* Ergonomics = D700 (big enough for all my finger)



Lens:

The lens is a kit lens, it will work outside but not so great in low light. The Vibration Reduction will help indoors but Vibration Reduction can't stop a child or pet in motion indoors. Consider buying a 35mm 1.8dx AFS for around $200 and you will be super happy with this camera.



Video:

I purchased the 3100 specifically to shoot video, so I put on Nikon's brand new 85mm 1.4g Nano lens and shot video with it. The lens costs more than double the camera but I wanted to see how the 1080P video looked. It has the look of a cinematic movie. After the 85mm, I put on Nikon's 50 1.2 manual focus lens and was able to take very cinematic video in manual mode. In order to make it brighter or darker you either need to use a really old lens like the 50mm 1.2 and hit the AE-L (auto exposure lock) and twist the aperture to change exposure. Or you can hit the AE-L button when you get the exposure you like. Its not a perfect system but it works well for me. Inside the menu options you can change the AE-L button to hold the setting until you reset which is helpful.



Jello Cam (What's not so great):

This camera still suffers from the "Jello Cam" look in video if it is not on a tripod and you are shaky. The video can look like jello if moved too quickly. Use a monopod or tripod when shooting to avoid this. I'm not sure if a faster video frame rate 60fps would help - but at 24 and 30 it can suffer badly.



Conclusion:

This is an amazing deal! Unless you make most of your income from photography or have a stockpile of old lenses (this camera can only autofocus with AFS lenses) then this camera is the must have camera of the year. If you have good composition skills and an eye for light you can take photos worthy of a magazine with this. Seriously, you won't regret buying this camera. When you do, do yourself a favor and buy an additional Nikon AFS lens that has a maximum aperture of 2.8, 1.8 or 1.4. These lenses will take better portraits and deal better in low light than the kit lens.

Canon EOS 70D 20.2 MP Digital SLR Camera with Dual Pixel CMOS AF (Body Only)


Canon EOS 70D 20.2 MP Digital SLR Camera with Dual Pixel CMOS AF (Body Only)









CUSTOMER REVIEW



This is going to be short, since I've not had the chance to do a whole lot of shooting as yet. Consider it a "just out of the box" impression. I already have a Canon 5D Mk III, and a number of L series lenses. I wanted a "backup camera" for video shooting, and I was intrigued by the new auto-focus system offered on the 70D.



So far, I'm extremely pleased with this camera. The 18-35 mm kit lens gives a lot of range, and I tested the camera out with my other lenses. The L series lenses work very well, and auto-focusing is fast, smooth, and doesn't search around much even in very low light. The camera is not as heavy as the 5D Mk III, but feels solid enough, and not all that different in the hands. Even with the 70-300mm f4-5.6L IS USM zoom - my heaviest lens at the moment - the camera feels surprisingly balanced.



The crop sensor obviously changes the effect of the lenses, but having a full sensor and a crop sensor both, it's like having 2 sets of lenses. My 70-300mm zoom now has an effective reach up to 480 mm (on the Canon 70D) due to the crop factor of 1.6. To me, this is kind of a bonus, though not in itself a reason to buy the camera. Smaller sized sensors result in an apparent increase in focal length, and a greater depth of field, but this is a generalization and each lens has its own properties that affect the image as well. Read the reviews of individual lenses when considering how each one reacts to different types of camera bodies.



The main thing to take note of is that while the Canon 70D will accept all the EF and EF-L lenses, it is designed to use the EF-S series lenses as well. In fact, the EF-S series lenses are custom tailored specifically for the Canon 70D and (as far as I know) other APS-C crop sensor cameras made by Canon. These lenses - and the kit lens is one of them - will not work on a full frame camera like the Canon 5D mkIII; the rear element extends back into the camera body in a way that makes it impossible to attach lenses of this series to full frame sensor cameras. Even if they could be attached, I suspect the captured image might suffer from serious vignetting and other problems.



For a thorough understanding of how the APS-C, full frame and other types of sensors interact with various lenses, I highly recommend doing some research on the web. There's a lot of good information out there, and this is a fairly involved subject that I don't even want to attempt to dive into here :)



One thing I couldn't figure out before having the camera in my possession deserves a mention. This is my first experience with a fold-out LCD screen on a DSLR, and I had no idea how the display would deal with flipping around 180 degrees. Would it be upside down? This was the first thing I tried, and the screen auto-flips when it is rotated. Maybe everyone else already knows this - but I didn't! Anyway, the fold-out display is a great feature, and it also folds face-in to protect the display when not in use.



The ability to touch various points on the LCD display while in Live View or shooting video, and shift focus while shooting is - to me at least - worth the price of admission. If Canon eventually updates the 7D and/or the 5D Mk III, this functionality would be most welcome!



Purely as a "gut reaction" - I really like the 70D immensely. And it seems a very good value for the price. This may actually become my preferred "walk-around camera, though time will tell.



EDIT - 10/22/2013: I've spent a lot more time with the camera now, so I can add to my earlier comments.



While I purchased the 70D mainly for shooting video, I recently used it to shoot bracketed exposures for HDR (high dynamic range) panoramas. A friend of mine had a nodal camera head (The "Ninja" head) which allowed for precise rotation of the camera to cover a full 360 degree field-of-view. The Canon 70D allows for up to 7 bracketed exposures via the AEB controls. The plates were shot in the RAW (CR2) format, using the kit lens, and stitched together using PTGui software.



After some initial trial runs, where we ironed out the kinks in the whole process, the results were exceptional. For those who may be wondering "why do you want a 32 bit HDR 360 panorama at 10k-16k resolution?" it is used to create realistic lighting and reflections in a 3D/CG software (i.e. Modo or Maya, for example). The 3D scene can be lit entirely by the 360 panoramic image, producing a very convincing result.



At any rate, the Canon 70D delivered terrific results doing something I didn't even foresee when I bought the camera. I will try and upload some of the tests (where the photographic panorama serves as both background and light-source) if I can figure out how to do so on the Amazon site.



EDIT - 11/9/2013: A note to anyone who intends to shoot green screen (for color keyed composites) or do precise color grading in post production: The video output from the 70D is not YCbCr 4:2:2 compression. This is not apparent to the naked eye when viewing the video footage, but it becomes an issue when attempting to work with the footage in a post environment. The firmware update for the Canon 5D addressed this problem by enabling 4:2:2 color output via the HDMI port to an external recording device (I use the Atomos Ninja 2 for this) but currently uncompressed "clean" HDMI is not enabled on the Canon 70D. I have my fingers crossed this will be dealt with in an update to the firmware.



This is not a huge issue unless you intend to do extensive manipulation of your video footage in post production, but it is something to consider with this camera and DSLRs in general. There are workarounds, of course, but that can entail a fair amount of time & effort, particularly when extracting color key mattes (masks) involving fine edge detail or areas of transparency.



That being said, the footage is nevertheless beautiful. And I suspect this technical point should not be an issue for most people considering buying the Canon 70D. The CR2 (camera raw) files are not at all affected by this, it's a factor limited to the HD video.

Friday, November 15, 2013

Nikon D5300 24.2 MP CMOS Digital SLR Camera with Built-in Wi-Fi and GPS Body Only (Black)


Nikon D5300 24.2 MP CMOS Digital SLR Camera with Built-in Wi-Fi and GPS Body Only (Black)









CUSTOMER REVIEW



I just got my preordered D5300 and wanted to be the first to post a review. I've had six previous Nikon cameras from my film SLR to my D90. These days I'm a lazy photographer. I don't want to spend my shoots fiddling with the camera. I want the fun without the hassle. Frankly I want SLR quality with near point and shoot simplicity and for this, the D5300 fits the bill perfectly. This is the camera for those of us that "Just wanna have fun". However, if you really want to work for it, there's plenty here to work with.